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From the collection Jazz on a Summer's Day, 'Sundown' is a fun, loping jazz waltz. The laid-back swing is perfectly evocative of a summer's day, and makes an engaging addition to the repertoire of int...
From the collection Jazz on a Summer's Day, 'Sundown' is a fun, loping jazz waltz. The laid-back swing is perfectly evocative of a summer's day, and makes an engaging addition to the repertoire of int...
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- Oxford University Press
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A pupil of Clara Schumann, Leonard Borwich (1868-1925) published this simple and effective transcription of 'Jesu, joy of man's desiring' from Cantata No. 147 in the year of his death. Offprinted from...
A pupil of Clara Schumann, Leonard Borwich (1868-1925) published this simple and effective transcription of 'Jesu, joy of man's desiring' from Cantata No. 147 in the year of his death. Offprinted from...
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- Leonard Borwick
- Oxford University Press
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This transcription of the Sarabande from the Cello Suite BWV 1008 featuring haunting suspensions was made by Leonard Borwich (1868-1925), who was a pupil of Clara Schumann. Offprinted from OUP's colle...
This transcription of the Sarabande from the Cello Suite BWV 1008 featuring haunting suspensions was made by Leonard Borwich (1868-1925), who was a pupil of Clara Schumann. Offprinted from OUP's colle...
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- Leonard Borwick
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Bach's tenor aria from Canata No. 4 ('Christ lag in Todes Banden') is reworked and arranged here for piano by Gerald M. Cooper (1892-1947), featuring creative engagement with the original texture. Off...
Bach's tenor aria from Canata No. 4 ('Christ lag in Todes Banden') is reworked and arranged here for piano by Gerald M. Cooper (1892-1947), featuring creative engagement with the original texture. Off...
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- Gerald M. Cooper
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This mellifluous arrangement of the tenor aria from Cantata No. 85 ('Seht, was die Liebe tut') by Hubert Foss (1899-1953), the first music editor at the Oxford University Press, features a delicate am...
This mellifluous arrangement of the tenor aria from Cantata No. 85 ('Seht, was die Liebe tut') by Hubert Foss (1899-1953), the first music editor at the Oxford University Press, features a delicate am...
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- Hubert J. Foss
- Oxford University Press
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The Siciliano from Bach's Flute Sonata (BWV 1031) is beautifully transcribed here for piano by Edward Krish. Offprinted from OUP's collection Bach Transcriptions for Piano.
The Siciliano from Bach's Flute Sonata (BWV 1031) is beautifully transcribed here for piano by Edward Krish. Offprinted from OUP's collection Bach Transcriptions for Piano.
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- Edward Kish
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This arrangement of 'Sleepers, Wake' by celebrated pianist Myra Hess is a simple treatment of the three-part version from the Schübler publication of the late 1740s, which was Bach's own reworking of...
This arrangement of 'Sleepers, Wake' by celebrated pianist Myra Hess is a simple treatment of the three-part version from the Schübler publication of the late 1740s, which was Bach's own reworking of...
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This is a beautiful arrangment for piano of Bach's Fugue in G minor (BWV 578), originally for organ, by Norah Drewett de Kresz (1882-1960). Offprinted from OUP's collection Bach Transcriptions for Pia...
This is a beautiful arrangment for piano of Bach's Fugue in G minor (BWV 578), originally for organ, by Norah Drewett de Kresz (1882-1960). Offprinted from OUP's collection Bach Transcriptions for Pia...
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- Norah Drewett de Kresz
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Was Gott thut, das ist wohlgethan' is the finale to the first part of Cantata No. 75 and is transcribed here for piano by Herbert Murrill (1909-1952), who moved in the same musical circles as Britten...
Was Gott thut, das ist wohlgethan' is the finale to the first part of Cantata No. 75 and is transcribed here for piano by Herbert Murrill (1909-1952), who moved in the same musical circles as Britten...
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- Herbert Murrill
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Commonly known as the 'deathbed chorale', the last of Bach's Great Eighteen Chorale Preludes is carefully arranged for piano here by Dorothea Salmon and was first published in 1932. Originally from th...
Commonly known as the 'deathbed chorale', the last of Bach's Great Eighteen Chorale Preludes is carefully arranged for piano here by Dorothea Salmon and was first published in 1932. Originally from th...
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- Dorothea Salmon
- Oxford University Press
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This charming transcription of Bach's Pastorella VWV 590 for organ was made by the accomplished composer, conductor and publisher William Gillies Whittaker (1876-1944) in 1929. Offprinted from OUP's c...
This charming transcription of Bach's Pastorella VWV 590 for organ was made by the accomplished composer, conductor and publisher William Gillies Whittaker (1876-1944) in 1929. Offprinted from OUP's c...
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- William G. Whittaker
- Oxford University Press
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This is a vibrant and varied choral cantata in five movements. Together the movements evoke a contemporary impression of London's sights, sounds, and moods. The music is irresistible, by turns contemp...
This is a vibrant and varied choral cantata in five movements. Together the movements evoke a contemporary impression of London's sights, sounds, and moods. The music is irresistible, by turns contemp...
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This is a new original setting of the well-known Christmas text. With a gentle melody, warm harmonies, and a graceful organ accompaniment, Infant Holy will make a moving feature in any mixed-voice cho...
This is a new original setting of the well-known Christmas text. With a gentle melody, warm harmonies, and a graceful organ accompaniment, Infant Holy will make a moving feature in any mixed-voice cho...
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This moving cantata draws on biblical texts associated with Sir Ernest Shackleton, his 1916 Antarctic Expedition, and Rupert Brooke. With lustrous harmonies and a poignant tenor solo, it offers choirs...
This moving cantata draws on biblical texts associated with Sir Ernest Shackleton, his 1916 Antarctic Expedition, and Rupert Brooke. With lustrous harmonies and a poignant tenor solo, it offers choirs...
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The three movements of A Winter Breviary are entitled: 'We look for you', 'The year's midnight', and 'The unexpected early hour'. The movements are each based on an Indian classical Raag and reflect u...
The three movements of A Winter Breviary are entitled: 'We look for you', 'The year's midnight', and 'The unexpected early hour'. The movements are each based on an Indian classical Raag and reflect u...
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McDowall has skilfully united luscious harmonies with fresh melodies and crisp rhythms in this vibrant work. Divided into six movements, the Magnificat is ideal for SATB choirs seeking fresh and inspi...
McDowall has skilfully united luscious harmonies with fresh melodies and crisp rhythms in this vibrant work. Divided into six movements, the Magnificat is ideal for SATB choirs seeking fresh and inspi...
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A haunting and evocative piece, this short anthem is based on a traditional Gaelic prayer of remembrance. Uncluttered harmony and a simple, gentle melody colour this memorial service setting with a pa...
A haunting and evocative piece, this short anthem is based on a traditional Gaelic prayer of remembrance. Uncluttered harmony and a simple, gentle melody colour this memorial service setting with a pa...
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A transcription, made by the composer himself, of the much-loved Candlelight Carol, inspired by Geertgen's painting Nativity at Night. Suitable for pianists at early intermediate level, and clearly pr...
A transcription, made by the composer himself, of the much-loved Candlelight Carol, inspired by Geertgen's painting Nativity at Night. Suitable for pianists at early intermediate level, and clearly pr...
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This piano transcription of the gentle 'Mary's Lullaby' features a newly written Epilogue, a homage to George Shearing and evoking the style of this celebrated jazz pianist. Suitable for pianists at e...
This piano transcription of the gentle 'Mary's Lullaby' features a newly written Epilogue, a homage to George Shearing and evoking the style of this celebrated jazz pianist. Suitable for pianists at e...
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Fresh and unconventional, the setting includes witty references in the accompaniment to the music of Brahms, Offenbach, Tchaikovsky and other familiar tunes that allude to various gifts mentioned in t...
Fresh and unconventional, the setting includes witty references in the accompaniment to the music of Brahms, Offenbach, Tchaikovsky and other familiar tunes that allude to various gifts mentioned in t...
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This inspiring and uplifting setting of a well-known text will appeal to all SATB choirs looking for fresh and accessible new repertoire for general church use.
This inspiring and uplifting setting of a well-known text will appeal to all SATB choirs looking for fresh and accessible new repertoire for general church use.
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The earth hath voice is a colourful and dramatic celebration of nature and its powerful and hypnotizing sounds, taking the listener on a captivating journey through the natural world with an array of...
The earth hath voice is a colourful and dramatic celebration of nature and its powerful and hypnotizing sounds, taking the listener on a captivating journey through the natural world with an array of...
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This quiet and spacious miniature challenges the performer's ability to play within the lowest dynamic range of the piano. The gently sonorous opening bars return after a lightly animated central sect...
This quiet and spacious miniature challenges the performer's ability to play within the lowest dynamic range of the piano. The gently sonorous opening bars return after a lightly animated central sect...
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Setting Joseph Addison's text, Jackson explores the use of vivid imagery the poem provides through this dramatic medium. Rather than using the full forces of choir, brass and organ throughout, the pie...
Setting Joseph Addison's text, Jackson explores the use of vivid imagery the poem provides through this dramatic medium. Rather than using the full forces of choir, brass and organ throughout, the pie...
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- Oxford University Press
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