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Scored for low voice and piano, Wilberg's arrangement of this familiar traditional melody is gentle and lilting, supported by rich harmonies and a mellifluous piano part. Also available in a version f...

Scored for solo low voice and piano, I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition,...

This secular work for solo low voice and piano sensitively sets Langston Hughes's poem of the same name. A lilting melodic line and an effective piano part combine to create a piece that will appeal t...

This is an attractive carol to a traditional Scottish text and with a gentle 'folk-y' feel. The flowing melody features flattened sevenths and delicate Scotch snaps, with each verse ending with a lull...

Rutter's music captures the varied moods of Shakespeare's words, with their rapture, sorrow, humour, and vitality, in a way that makes these classic madrigal texts come alive for contemporary audience...

Rebecca Dale's reimagining of César Franck's Panis Angelicus was commissioned for the second instalment of Sonoro's Choral Inspirations project. Dale has drawn upon the harmonic framework of the origi...

In this compelling motet for the Feast of the Holy Trinity, Handl artfully embodies symbolism of the Trinity within the motet's structure.

A setting of haunting lyrical simplicity. An SATB version is also available. The accompaniment for strings is available on hire.

Orchestral material is available on hire. No. 2 of Two Hymns of Praise

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

Set to words by the Estonian poet Doris Kareva, Our flags are wafting in hope and grief is a humanist anthem to the power of conviction and community in times of social turmoil.

A simple, delightful setting of a Yeats poem which embraces nature's beauty and the secret joy of solitude. Perfect for concert use. Also available in versions for solo low voice and SSA.

This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment.

The Christmas motet Ex ore infantium was published with an organ continuo accompaniment, but the piece works equally well unaccompanied. The alternation of busy rhythmic writing with homophonic statem...

An old French carol with optional English lyrics included in the score. Orchestral scores and parts are also available. Offprinted from the collection Eight Christmas Carols Set 2.

An unaccompanied motet dedicated to Hubert Parry, setting text by the English poet John Skelton (c.1463-1529).

The suggested programming for this anthem is ceremonies celebrating Jesus such as Ascension, Feast of Christ the King, and the Fourth Sunday in Advent. Some small changes were made to the dispensation...

This sensitive arrangement of a well-known Yiddish folksong introduces singers to the harmonic characteristics of Yiddish music. Clapping and body percussion is employed to great effect, and a pronunc...

Salisbury Vespers combines settings of the traditional Vespers psalms and anonymous early texts. Marian motets punctuate the psalm settings, and the work is concluded with a substantial setting of the...

An easy and original setting with an extremely memorable tune of the well-known Rossetti text. Also available in versions for solo high voice, upper voices, and mixed voices.

In this passionate four-movement work, composer Bob Chilcott and lyricist Delphine Chalmers explore themes of inclusivity, identity, and unity. Songs my Heart has Taught Me brings singers and audience...

Comprising four separate 'Lamentations', this work takes its text from John Donne's The Lamentations of Jeremy, and is set in Howard Skempton's characteristic pared-down style.

It is believed this cantata was written for Senesino when he arrived in England in 1720, however this volume was not complete until 1722.