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The Fantaisie fuguée sur Regina caeli by the French organist and composer Daniel Roth (*1942) processes the entire musical text of the Regina caeli, the antiphon in the sixth tone in honour of the Vir...

The number of well-known clarinet quintets is quite small. The only major composers whose clarinet quintets are relatively widespread are Mozart, Brahms, Weber and Reger.The composer Johanna Senfter (...

As a counterpart to the Organ Symphony No. 1 Pater Noster (ED 9937), the Organ Symphony No. 2 offers softer and more mysterious (Marian) sound worlds, sketching stages of Mary's life: an adoring Salve...

Many pieces with a classical cycle of movements lead to an examination of baroque counterpoint in the form of a fugue. Widmann's fifth string quartet, which closes his first cycle in this genre like a...

Despite the central role of the organ in the life of Johann Wilhelm Häßler (1747-1822), he dealt with the organ only occasionally as a composer. The 'Acht und vierzig kleine(n) Orgelstücke, theils zu...

The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this tech...

The five choral arrangements of 'Esquisses Grégoriennes' are based on the cantus firmus mentioned in each title. They can be integrated in the course of the mass as follows: 'Nos autem' at the entry,...

The composer, organist, music teacher and pianist Rolande Falcinelli (1920-2006) studied composition with Henri Busser, among others, as well as organ with Gaston Litaize and Marcel Dupré. In 1941 she...

The composer, organist, music teacher and pianist Rolande Falcinelli (1920-2006) studied composition with Henri Busser, among others, as well as organ with Gaston Litaize and Marcel Dupré. In 1941 she...

In the work commissioned by Mozart-two-6 for the Tanzquartier Wien, Faz?l Say has transported the Viennese composer Mozart to the beach of the ancient city Patara in his own native Turkey. Say has dev...

Bertold Hummel worked on his Adagietto for many years. Originally conceived as an Elegy for Strings in 1965, it was transformed into an Adagietto for String Sextet in 1978 and published for the first...