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From his early cool period, this Miles Davis standard is arranged here in a contemporary setting featuring alto sax and flugelhorn on the melody. Solo space is provided for each, and a full band soli...

Mike was able to create an easy version of this classic from the swing era without sacrificing the sound and style of the original. The trumpet section is the primary featured section, however the sax...

Although known primarily as the theme for the famed Harlem Globetrotters, this familiar standard has remained popular through the years with recordings by countless jazz artists. Here's a fun version...

Recorded in 1932 by Bennie Moten's own Kansas City Orchestra, this jazz classic was notably stylized by Count Basie in 1940. Rick Stitzel's easy version is true to the Basie style, featuring tutti ens...

Featuring a distinctive up-beat groove in 7/4 throughout (3+4), Mark's inventive original is a fabulous duet feature for trumpet and tenor sax. In between the duet statements and solos are full ensemb...

Este estándar de swing optimista sigue siendo una de las melodías más populares grabadas por la Orquesta de Duke Ellington. Nuestra serie Easy Jazz Ensemble está escrita para banda completa, que puede...

A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or trumpet,...

A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or trumpet,...

It's holiday mash-up time! This is a clever combination of the traditional carol with sultry Brazilian jazz a la Stan Getz. Two transcribed solos are provided for tenor sax and trumpet (or flugelhorn)...

It's holiday mash-up time! This is a clever combination of the traditional carol with sultry Brazilian jazz a la Stan Getz. Two transcribed solos are provided for tenor sax and trumpet (or flugelhorn)...

With a fun and lively New Orleans second line treatment, this setting of the traditional The Holly and the Ivy takes the familiar melody and transforms it into a great chart for holiday concerts. Solo...

With a fun and lively New Orleans second line treatment, this setting of the traditional The Holly and the Ivy takes the familiar melody and transforms it into a great chart for holiday concerts. Solo...

Here's an ebullient and flashy solo feature for clarinet and big band. The ensemble swings brightly with intricate but accessible orchestrations while the bouncy solo shines with riffs and glissandi....

Here's an ebullient and flashy solo feature for clarinet and big band. The ensemble swings brightly with intricate but accessible orchestrations while the bouncy solo shines with riffs and glissandi....

The jaunty traditional melody (Here We Come A-Caroling) appears briefly in its original 6/8 time, before we're off on full-ensemble, straight-ahead swing. A brief sax soli and some short drum set inte...

The jaunty traditional melody (Here We Come A-Caroling) appears briefly in its original 6/8 time, before we're off on full-ensemble, straight-ahead swing. A brief sax soli and some short drum set inte...

Understated, straight-ahead swing à la Dave Brubeck meets a traditional English Christmas carol. There's mostly full-ensemble playing with a brief, written trumpet solo, cued for Trombone. Drums playe...

Understated, straight-ahead swing à la Dave Brubeck meets a traditional English Christmas carol. There's mostly full-ensemble playing with a brief, written trumpet solo, cued for Trombone. Drums playe...

The traditional Irish carol fits nicely over a Partido Alto Latin feel. The two-measure ostinato dances under a legato melody played by five saxes and a flugelhorn. Solo transcriptions for flugel and...

The traditional Irish carol fits nicely over a Partido Alto Latin feel. The two-measure ostinato dances under a legato melody played by five saxes and a flugelhorn. Solo transcriptions for flugel and...

A cheerful Latin waltz with a pseudo-6/8 syncopation throughout, Abacus was written for the 2022 Indiana Junior All-State Jazz Ensemble. Optional vibes and auxiliary percussion round out a fully-orche...

A cheerful Latin waltz with a pseudo-6/8 syncopation throughout, Abacus was written for the 2022 Indiana Junior All-State Jazz Ensemble. Optional vibes and auxiliary percussion round out a fully-orche...

Monika Herzig's blistering Just Another Day at the Office was originally recorded by her band Sheroes and featured in the publication New Standards: 101 Lead Sheets by Women Composers (Berklee Press,...

Monika Herzig's blistering Just Another Day at the Office was originally recorded by her band Sheroes and featured in the publication New Standards: 101 Lead Sheets by Women Composers (Berklee Press,...

Ryan Fraley's arrangement of Camille Saint-Saëns' Danse Macabre transforms the iconic nineteenth-century supernatural tone poem into a dynamic 1930s hot-jazz piece reminiscent of Django Reinhardt's sw...