Partituras para dúo cuerdas

This collaborative work by cousins Andreas and Bernhard is particularly appealing because it captures the specific tonal color of the violin and cello playing pair. Pedagogically progressive in design...

Johannes Traeg, conocido de Mozart y editor, respondió rápidamente a principios del siglo XIX a la demanda pública de arreglos de obras de Mozart para la interpretación doméstica. Sus arreglos de los...

For Viola and Cello.

Michael Haydn (1737-1806), hermano menor de Josef Haydn, había estado al servicio de Colloredo, arzobispo de Salzburgo, como compositor de corte y director (concertino) de la orquesta de la corte. En...

Michael Haydn (1737-1806), hermano menor de Josef Haydn, había estado al servicio de Colloredo, arzobispo de Salzburgo, como compositor de corte y director (concertino) de la orquesta de la corte. En...

This collection of 25 original violin and viola duets (grade 3-4) is an absolute “must” for every string teacher's library, for classroom practice or for contest.

This edition contains the sheet music for 'Schwanenlied' by Fanny Hensel, arranged and performed by The Twiolins. An edition for violin and viola in D minor with an intermediate level of difficulty.

Bassstimme in Konzert- und Solostimmung vorhanden. Eva Batts Komposition Wind strich eine Schattenmelodie ist eine Vertonung des Gedichtes Vorausgegangen der Autorin Christiane Schwarze. Mit dieser bi...

A ravishing virtuoso duo, often reaching the fullness of tone of a quartet, by a master who grew up in Spohr's school. Podium-effective.

Few masters from the Lombard violin school wrote as brilliantly for the viola as Alessandro Rolla, whose op.18 is the last of his 78 duos for violin and viola required reading.

Massenneau's chamber music is experiencing a renaissance. The 'amiably and well musically set parts' with their compositional perfectionism more than do justice to the high classical models.

Blake was a violist. His duos sparkle with melodic-thematic refinement, with which he was able to cultivate the specific playing technique of the viola.

The duos are worth studying for their brilliant technical playing, as they need not fear comparison with the duos of the same instrumentation by a Carl Stamitz, Franz Danzi and Wenzel Pichl.

In this Duetto, the double bass is so high that it can be performed comfortably on a violoncello or viola da gamba. Unlike in three of Sperger's other sonatas, the viola here is completely equal.

Edited from the First Edition.

According to Stamitz, Hofmann was the 'only one who in the movement has endeavored to give the flute traverso the lightness and the song', 'this with seriousness and complaisance'.

An Allegro molto in free form is followed by a three-part Andante. The lively Scherzo (Molto vivace) is followed by a Presto finale, which is also interrupted by a Tempo di marcia funebre in polyphoni...

Edited from the first edition.

Edited from the First Edition