Partituras para música de cámara de

Joseph Haydn's nearly forty piano trios are available in five volumes from G. Henle. These are based on the Haydn Complete Edition, likewise published by Henle. The fifth volume contains the six Piano...

Haydn's charming and sole piano quintet is for such an unusual combination of instruments - two horns and piano trio - that hardly any musicians are familiar with it. Horn players will get their money...

In the Viennese classical era a divertimento was a light, multi-movement instrumental piece of cheerful, dance-like character. Alongside Mozart, it was above all Haydn who mastered the art of composin...

London, with its bustling musical scene, always provided Haydn with welcome surroundings at a time when the flute was extraordinarily popular among English amateurs. The Earl of Abingdon, an accomplis...

Franz Schubert transformed five song melodies from his rich output of Lieder into instrumental music. The song 'The Trout' from 1817 served as a theme for the variations in his Quintet D. 667 for pian...

Wissenschaftliche Gesamtausgabe, Kritischer Bericht, broschiert (KEINE Partituren!) --> Die Partituren finden sich in den Leinenausgaben.

First Urtext edition Fingering: Klaus Schilde The septet was composed in 1879/80, commissioned for the Parisian Chamber Music Society 'La Trompette'. Saint-Saëns had, however, hesitated for several ye...

Haydn's numerous divertimentos for strings and wind are cheerful, functional music about whose genesis we know very little. Many stem from Haydn's early years, when the composer had to keep his head a...

Haydn's numerous divertimentos for strings and winds are cheerful, functional music about whose genesis we know very little. Many stem from Haydn's early years, when the composer had to keep his head...

Though not nearly as well-known as the 'London Trios,' these six delightful divertimentos are Haydn's first pieces of chamber music to expressly call for the flute. Straightforward and full of Haydn's...

A very readable foreword and extensive Critical Commentary with all necessary information enrich this Urtext edition by master Munich flautist and Mozart expert Henrik Wiese. One may learn there, for...

Mozart's famous statement to his father concerning this unique and singular quintet for piano and winds, scored for piano, oboe, clarinet in B-flat, horn in E-flat, and bassoon, should not be forgotte...

A genuine discovery! Written at the same time as the Magic Flute, this is Mozart's final piece of chamber music. Anyone lacking a glass harmonica should try it with a piano or a harp (it has even been...

This volume completes Henle's urtext series of Joseph Haydn's three piano concertos. Written in or around 1765, the delightful first concerto is ideally suited for playing at home, for the relatively...

With marked and unmarked string parts. The cellist Robert Hausmann had actually requested a cello concerto - but Brahms paired the cello with a violin in his Double Concerto. The unusual work has alre...

Mozart was neither a flautist nor a harpist, but his Double Concerto has become the best-known music for both these instruments. Now its musical text has been prepared for Henle by the star flautist A...

Ever since Mozart encountered the clarinet in Mannheim in 1778 he loved the instrument's warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orches...

It is quite clear to me what is missing from today's music: a Mozart!' With his trios which he consciously kept in a classical manner, Reger hoped to prove the contrary to the 'ignorant people', who f...

I've had to turn out a serenade on short order': these lines from Mozart to his father offer a glimpse into the everyday life of a composer dependent on patronage. Mozart was about to be married when...

'Wind music of a very special nature on a large-scale, a composition by Hr. Mozart' - this was the way the 'Wiener Blättchen' announced the concert in the National Court Theatre, in which the clarinet...

This Trio's unusual scoring for horn, violin and piano prompted speculation early on about a possible background to it that had no connection with music. Brahms's biographer Max Kalbeck saw in it a la...

We not only owe three of Mozart's horn concertos to his friendship with Ignaz Leutgeb; the solo part of this unusual chamber music work was also written especially for him. Instead of having two violi...

Did Mozart intend this work to be a duo for two bass instruments, or - as the simple basso-like manner of the second part suggests - a sonata for bassoon and keyboard instrument? We will probably neve...

Written in March 1886 as a humorous occasional work for the traditional carnival concert organized by his cellist friend Charles-Joseph Lebouc, the Carnival of the Animals was so successful that Saint...