Partituras para música de cámara de

Today, Turlough O'Carolan (1670-1738) is considered to be the last great harp player of Ireland and is surrounded by an almost mystical aura. Numerous anecdotes have been handed down which testify to...

More than a few experts and aficionados count Mozart's string trio in E-flat major K. 563 among his most magnificent compositions. This masterwork, entered into Mozart's own catalogue of works on 27 S...

Die hier erstmals publizierte 'Partie a tre (für) Violoncello, Viola col Violono' findet sich als Manuskript in der Musiksammlung der Wissenschaftlichen Allgemeinbibliothek des Bezirkes Schwerin, der...

The quartet La Fucina di Vulcano refers to the myth of Vulcan, the Roman god of fire and metalworking, troubled by his jealousy. Gli Amanti Rivali (The Rival Lovers), narrates the story of two lovers...

The Divertimento Notturno is a three-movement Serenata or Cassazione, a popular genre in Austria during the 18th century and conceived as a musical entertainment. The quartet titled La Caccia (The Hun...

Giovanni Battista (Giambattista) Cirri (1724-1808) ist durch seine drei leichten Sonaten vor allem den CellistInnen ein Begriff. Das Besondere an seinen konzertanten Trios ist, dass nicht nur - wie so...

String Quartet III was created in Paris in 1947. This is one of G. Bacewiczs most internally balanced works, maybe the closest to the ideal ''Sérénité'', characteristic of Romanesque spirituality. In...

Although the string quartet was a rarely used form in 19th-century Russia, Tchaikovsky and Borodin both produced superb, inventive compositions in the genre. This volume collects Tchaikovsky's String...

It is hard to believe that Benjamin Britten was 16 when he wrote the Quartettino, such is the skill and intellectual command. Peter Stadlen, The Daily Telegraph, 25 May 1983

Arranged for String Orchestra (3-2-2-2-2) by John Krance.

Duo Nr. 1 C-Dur 1. Allegro moderato maestoso 2. Rondo. Andantino Duo Nr. 2 D-Dur 1. Allegro moderato 2. Rondo. Allegro Duo Nr. 3 G-Dur 1. Allegro molto 2. Rondo (Allegro)

Duo Nr. 4 c-moll 1. Allegro 2. Andante 3. Allegro. Thema mit 5 Variationen Duo Nr. 5 A-Durr 1. Allegro 2. Andante 3. Allegro Duo Nr. 6 F-Dur 1. Allegro 2. Rondo

Das Scherzo hat der Komponist später in seinem Divertimento für Fagottquartett wieder verwendet.

In op. 47, which enriches the literature with two cellos, Scholz achieves a passion and warmth of expression, a 'higher peculiarity of reflection on the essential' that should make music makers sit up...