Partituras para música de cámara de

I was immediately drawn to the quartet's poignant, intimate and expressive sound world, the evocative and hauntingly beautiful voice of contralto Karen Clark and the poetry of Henry David Thoreau whos...

Immerse yourself in the magnificent sonic world of chamber music with the Sextet in D major, Op. 10, published by the renowned Schott Musik. This premier sheet music edition offers an incomparable pla...

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...

Immerse yourself in the fascinating sound world of chamber music with the expressive 'String Quartet No. 1 Op. 16'. The string quartet has long been regarded as the pinnacle of intimate musical dialog...

This piece was originally intended as part of a larger cycle based on a series of paintings by Marc Chagall. The fiddle of the title is the main protagonist in this little movement for string trio, th...

This substantial mature work shows the superb mastery of one of Germany's foremost contemporary composers. Henze, renowned for his lush orchestral textures and sensuous sonorities, aims for similar mu...

Elgar wrote his musical 'billet doux' in 1888 and dedicated it to his fiancée Caroline Alice Roberts. It was premiered in 1889 and helped to establish Elgar's reputation as a composer. To this day the...

Dessau's String Quartet movement was written while he was also working on Brecht's opera Puntila. After Brecht's death in 1956 Dessau found himself looking for a new direction. On the one hand he was...

Although Paul Dessau's Second String Quartet is very closely related to twelve-note music, it cannot be said to owe its inspiration to the serial method in the strictest sense. René Leibowitz had intr...

Paul Dessau described his Third String Quartet, begun at Laguna Beach near Los Angeles in 1943, as predominantly lyrical. The song-like, melodious main theme of this one-movement work emerges from a s...

In this work, the quartet becomes a single composite instrument. This instrument cannot play individual sounds but rather composite gestures, of which the initial impulse linked to the production of a...

The next I'll do is 3 violin quartets wrote Schumann to Clara Wieck in 1838, stating his reasons in a letter dated 17 March 1838: The thought of the quartets gives me pleasure. The piano is getting to...