Partituras para música de cámara de

In op. 47, which enriches the literature with two cellos, Scholz achieves a passion and warmth of expression, a 'higher peculiarity of reflection on the essential' that should make music makers sit up...

The work, composed in Dresden in 1870, quickly 'became famous' and was perceived as significant, is still one of the masterpieces of musical art even after a good 130 years of barrel oblivion.

Vierling's work, based on the gathering of highly romantic stylistic elements and internalized to the point of tone-painting asceticism, is unequaled in this virtuosic-compositional expression: great...

Riemann's own musical analysis enables him to create a tonal language whose delicate, espressive melodicism and rhythmic refinement command admiration.