Partituras para música de cámara de

Bernhard Romberg's op.38 is a stroke of luck for all cellists. The never-ending singing of the soloist experiences a virtuoso climax in the 3rd Trio: At its finest.

The piece, still entirely rococo, became a favorite of many violists who managed to secure a double bassist as a 'contrapuntal' accompanist.

It is hardly possible to compose and perform more advantageously for this instrumentation. As in the case of the sister work in D minor (Trio II, Best-Nr. BP 2326), however, the life data of the creat...

It is hardly possible to write and play more advantageously for this instrumentation. As with the sister work in E major (Trio I, Best-Nr. BP 2325), the life data of the creator could not be found.

Duets strongly reminiscent of Beethoven, full of grace and buoyancy, with balanced partnership interplay. Also suitable for concerts.