Partituras para música de cámara de

Trio, Op. 119 by Friedrich Kuhlau, arranged for Flute, Clarinet (A/B-flat) and Piano by Adah Toland Jones and Vanguel Tangarov. The first movement uses only A Clarinet, the second movement B-flat Clar...

Die Komponistin schrieb ihr Trio für die Haydn-Feierlichkeiten in Eisenstadt 2009. Angeregt von der Information, Haydn habe sich für sein Begräbnis den langsamen Satz seiner 'Trauersinfonie' Nr. 44 ge...

Anmerkung der Komponistin: 'Ein lyrisches Stück, das versucht, niemals den Boden zu berühren - denn ursprünglich war es ein Lied für Kinder über das Fliegen im Traum. In einer Version für großes Orche...

Silvestrov thinks that a coda is more than something which brings a work to an end. It is one of the most important parts of a composition, or at least just as important as the other sections. His can...

El propio Igor Stravinsky ayudó a arreglar la música de su ballet Pulcinella para dúos violín/piano y violonchelo/piano, dando a cada uno el título de Suite italienne, por lo que parecía bastante lógi...

Flöte, Violine, Viola, Violoncello und Harfe

Trumpet (Cornet), Euphonium & Piano / Trumpet, Horn & Piano / Trumpet, Trombone & Piano

This short work for Oboe and String trio was written c. 1878, probably for performance at Worcester Glee Club. It has never previously been published. Score and parts.

The large-scale work with the variation movement on the Russian folk song 'Beautiful Minka', formerly only in clarinet version, has today also become a repertoire work for oboe thanks to the original...

One of the most highly accomplished works in clarinet chamber music. The charm of the melodic invention contrasts impressively with the perfect movement technique.

Legrenzi's polyphonic chamber sonatas are not only captivating because of their contrapuntal facture, they take us into a new age of 'dramatic melody'.

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

From the series: Aurea Amadeus, No. 337.