Partituras para música de cámara de

Streicher und Basso continuo (Cembalo, Klavier), Violoncello (Viola da gamba) ad lib.

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

The famous concerto for three violins, viola, violoncello and bass is published in this practical edition with bowing indications and fin-gerings. Its peculiarity results from the characteristic title...

This work of the composer and theatre music director from Berlin, probably created at the end of the 18th century, consists of three movements and bears the characteristic features of the Berlin Schoo...

This work of the composer and theatre music director from Berlin, probably created at the end of the 18th century, consists of three movements and bears the characteristic features of the Berlin Schoo...

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

This edition contains vigorous dance tunes with illustrative titles such as 'Les Noces', 'La Coquette' or 'Le Tambourin de la folie'. With -simple technique, they have been made into four- or five-mov...

This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...

Partitur = Cembalo/Klavier

Partitur = Cembalo - 2 Violinen, Violoncello obl., Streicher und Basso continuo

Stimmensatz - 5 Violinen I, 5 Violinen II, 3 Violen, 5 Violoncelli/Kontrabässe - 2 Violinen, Violoncello obl., Streicher und Basso continuo

Streicher-Ergänzungssatz - 2 Violinen I/II/III, 2 Violoncelli/Kontrabässe - 2 Instrumental-Gruppen (A Instrumental-Gruppe I - Streicher / Instrumental-Gruppe II - Blechblasinstrumente / B Instrumental...

Fagott, Streicher und Basso continuo

Stimmensatz solistisch

Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...

Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...

Giuseppe Sammartini, who was considered to be one of the most important composers of instrumental music of his time, maintained in this concerto a conventional framework; however, he used the instrume...

The thoroughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera or...

Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...

Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...