Partituras para música de cámara de

We know very little of this play which is prob-ably based on the classical legend of the untying of the Gordian knot by Alexander the Great. The libretto was never printed. Of the piece it-self, only...

We know very little of this play which is prob-ably based on the classical legend of the untying of the Gordian knot by Alexander the Great. The libretto was never printed. Of the piece it-self, only...

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

Stimmensatz solistisch - ST SOL - 2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...

Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...