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This Toccata Opus 9, an early work dating from 1963, is one of Guillou's most often-played works. This brilliant piece works through three themes whose individual character creates a progressive incre...
This Toccata Opus 9, an early work dating from 1963, is one of Guillou's most often-played works. This brilliant piece works through three themes whose individual character creates a progressive incre...
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Charles Louis Eugène Koechlin (1867-1950) studied with Massenet and Fauré and founded the Société Musicale Indépendante together with Ravel, Schmitt, Caplet and Huré. Poulenc and Sauguet were two of h...
Charles Louis Eugène Koechlin (1867-1950) studied with Massenet and Fauré and founded the Société Musicale Indépendante together with Ravel, Schmitt, Caplet and Huré. Poulenc and Sauguet were two of h...
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A pupil of Scheidemann, Johann Adam Reincken succeeded him as organist at the Church of Saint Catherine in Hamburg as from 1663. His playing was of such a high standard that none other than J. S. Bach...
A pupil of Scheidemann, Johann Adam Reincken succeeded him as organist at the Church of Saint Catherine in Hamburg as from 1663. His playing was of such a high standard that none other than J. S. Bach...
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This edition for the first time distinguishes between father and son, i.e. between works composed by Vincent Lübeck Senior (1654-1740) and works composed by Vincent Lübeck Junior (1684-1755). As a con...
This edition for the first time distinguishes between father and son, i.e. between works composed by Vincent Lübeck Senior (1654-1740) and works composed by Vincent Lübeck Junior (1684-1755). As a con...
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Volume 13 of the series 'Meister der Norddeutschen Orgelschule' contains all organ works by Nicolaus Bruhns. Bruhns studied with Dietrich Buxtehude and, from 1689, was cathedral organist in Husum.
Volume 13 of the series 'Meister der Norddeutschen Orgelschule' contains all organ works by Nicolaus Bruhns. Bruhns studied with Dietrich Buxtehude and, from 1689, was cathedral organist in Husum.
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Jean Guillou did not change a single note for this arrangement. He just distributed the different parts to the manuals and the pedal in a way that guarantees a clear and varied registration in harmony...
Jean Guillou did not change a single note for this arrangement. He just distributed the different parts to the manuals and the pedal in a way that guarantees a clear and varied registration in harmony...
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The third movement (Allegro molto vivace) from Tchaikovsky's 'Symphonie pathétique' is - though not specially designated as such - a typical scherzo and, what is more, actually one of the most brillia...
The third movement (Allegro molto vivace) from Tchaikovsky's 'Symphonie pathétique' is - though not specially designated as such - a typical scherzo and, what is more, actually one of the most brillia...
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Nach Abschluss der erfolgreichen Reihe 'Meister der norddeutschen Orgelmusik' legt Klaus Beckmann die wichtigsten Vertreter der 'mitteldeutschen Orgelschule' in 5 sorgfältig edierten Urtextausgaben vo...
Nach Abschluss der erfolgreichen Reihe 'Meister der norddeutschen Orgelmusik' legt Klaus Beckmann die wichtigsten Vertreter der 'mitteldeutschen Orgelschule' in 5 sorgfältig edierten Urtextausgaben vo...
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Nach Abschluss der erfolgreichen Reihe 'Meister der norddeutschen Orgelmusik' legt Klaus Beckmann die wichtigsten Vertreter der 'mitteldeutschen Orgelschule' in 5 sorgfältig edierten Urtextausgaben vo...
Nach Abschluss der erfolgreichen Reihe 'Meister der norddeutschen Orgelmusik' legt Klaus Beckmann die wichtigsten Vertreter der 'mitteldeutschen Orgelschule' in 5 sorgfältig edierten Urtextausgaben vo...
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Nach Abschluss der erfolgreichen Reihe 'Meister der norddeutschen Orgelmusik' legt Klaus Beckmann die wichtigsten Vertreter der 'mitteldeutschen Orgelschule' in 5 sorgfältig edierten Urtextausgaben vo...
Nach Abschluss der erfolgreichen Reihe 'Meister der norddeutschen Orgelmusik' legt Klaus Beckmann die wichtigsten Vertreter der 'mitteldeutschen Orgelschule' in 5 sorgfältig edierten Urtextausgaben vo...
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Nach Abschluss der erfolgreichen Reihe 'Meister der norddeutschen Orgelmusik' legt Klaus Beckmann die wichtigsten Vertreter der 'mitteldeutschen Orgelschule' in 5 sorgfältig edierten Urtextausgaben vo...
Nach Abschluss der erfolgreichen Reihe 'Meister der norddeutschen Orgelmusik' legt Klaus Beckmann die wichtigsten Vertreter der 'mitteldeutschen Orgelschule' in 5 sorgfältig edierten Urtextausgaben vo...
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A musical fun piece with an astonishing outcome: Even played backwards, Bach's famous Toccata in D minor is a decent, indeed brilliant piece which is nice to listen to.
A musical fun piece with an astonishing outcome: Even played backwards, Bach's famous Toccata in D minor is a decent, indeed brilliant piece which is nice to listen to.
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Benedictus (from 'Twelve Pieces' Op.59, Vol II), composed by Max Reger for solo organ in digital sheet music format [EP11593].
Benedictus (from 'Twelve Pieces' Op.59, Vol II), composed by Max Reger for solo organ in digital sheet music format [EP11593].
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Canon (from 'Twelve Pieces' Op.59, Vol I), composed by Max Reger for solo organ in digital sheet music format [EP11593].
Canon (from 'Twelve Pieces' Op.59, Vol I), composed by Max Reger for solo organ in digital sheet music format [EP11593].
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Capriccio (from 'Twelve Pieces' Op.59, Vol II), composed by Max Reger for solo organ in digital sheet music format [EP11593].
Capriccio (from 'Twelve Pieces' Op.59, Vol II), composed by Max Reger for solo organ in digital sheet music format [EP11593].
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Fuge (from 'Twelve Pieces' Op.59, Vol I), composed by Max Reger for solo organ in digital sheet music format [EP11593].
Fuge (from 'Twelve Pieces' Op.59, Vol I), composed by Max Reger for solo organ in digital sheet music format [EP11593].
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Gloria In Excelsis (from 'Twelve Pieces' Op.59, Vol II), composed by Max Reger for solo organ in digital sheet music format [EP11593].
Gloria In Excelsis (from 'Twelve Pieces' Op.59, Vol II), composed by Max Reger for solo organ in digital sheet music format [EP11593].
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