Partituras para piano de Robert Schumann

Combining these two Schumann bestsellers seemed very natural: both of the titles not only reflect their inner association but the technical demands on the pianist are for once not so great (see the le...

'As far as the Scenes from Childhood are concerned, I owe them one of the liveliest pleasures of my life.' These words were uttered by none other than Franz Liszt. In the evenings he often enjoyed pla...

In his virtuosic piano arrangement of Schumann's 'Widmung' ('Du meine Seele, du mein Herz'), Franz Liszt transformed this intimate song into a dramatic declaration that reaches its powerful climax at...

As did many piano virtuosi at the time, Robert Schumann also dreamt of presenting himself to the public simultaneously as a pianist and composer with his own piano concerto. He had made several first...

Con la nueva serie Urtext Primo, Wiener Urtext Edition pretende cerrar la brecha que surge tras el estudio de una escuela de piano a la hora de pasar a clases posteriores. Partiendo de un nivel de int...

My First Bach and My First Mozart are now followed by a third edition of easy-to-play original works from one of the most important composers of the Romantic era: Robert Schumann. This collection incl...

Schumann's Papillons op. 2 has been a best-selling item in Henle's catalogue for decades. What is special about our revised new edition? First, the musical text has been painstakingly compared once ag...

Like many other nineteenth-century musicians, Robert Schumann wanted to settle down in the musical capital of Vienna. Though these plans came to naught, his stay in Vienna in 1839 gave rise to an enti...

Schumann's turbulent love-affair with the barely eighteen-year-old Ernestine von Fricken, though strong enough to lead to a secret engagement, lasted only a few months. Nevertheless, it managed to giv...

The 'Davidsbund' - a group of artists who had joined forces in a revolutionary struggle against the backward structures in the artistic world, amongst whose members he counted both real and imaginary...

Schumann's great C-major Fantasy, op. 17, was originally intended to be published as a 'Sonata for Beethoven' entitled 'Ruins, Trophies, Palms. Grand Sonata.' Although he eventually abandoned this pla...

'Do you not know Jean Paul, our great writer? I have learnt more counterpoint from him than from my music teacher'. His 'Vorschule der Ästhetik' with its extensive treatment of humour probably occasio...

To Diotima' - this addendum to the title was preserved until shortly before publication of the piano 'songs' and mystified Schumann's contemporaries. 'The Goddess to whom they are addressed has caused...

In Schumann's middle years there was a longer period in which he favoured larger groups of instruments. Although he composed a few single pieces for piano, they remained unpublished at first. It was o...

The most important source for the fundamentally revised edition is Schumann's hand copy. The poetic motti that Schumann noted at the end of the autograph are reproduced in the appended remarks.

Composed in Vienna in 1838 along with several other shorter pieces, Schumann's Arabesque has found a permanent place in the general piano repertoire. It may owe its lightness and grace to Schumann's u...

Who was 'Pauline, Countess of Abegg', the dedicatee of the first edition? Nowadays it is known that the matter revolves around a romantic mystification of the name of Meta Abegg, a friend from Schuman...

With humor, 'slow and tender, 'extremely brisk': the very expression marks of the op. 12 'Fantasy Pieces' illuminate their musical universe, a kaleidoscope of ideas and moods. Our revised new edition...

La preocupación de Robert Schumann por crear música valiosa e idácticamente significativa para niños y jóvenes no se limitó al mundialmente famoso Álbum para jóvenes op. 68 para piano (1848). Además d...