Partituras para voz: mezzosoprano y Barítono

¿A quién dirigió Beethoven este ciclo de canciones "An die ferne Geliebte" ("A la amada lejana"), que terminó a la edad de 45 años en abril de 1816? ¿Fue a la misma persona, a la que ya había dedicado...

Ningún cantante puede ignorar la Adelaida de Beethoven. Hay miles de grabaciones, y muchos aficionados también adoran esta lírica ambientación del poema de Friedrich von Matthisson. El propio Matthiss...

Dichterliebe, Opus 48. A Cycle of 16 Songs (G. & E.)

(Russian Cyrillic texts with singing transliterations, along with a literal English translation in the prefatory notes)

This edition is the first of an eight volume set, each written in high and medium/low voicings. Volume I contains 20 songs based on poems and text by familiar French writers, including Gallet, Gilbert...

The launch disc of the Edition Peters Sounds label features pianist Daniel Grimwood's interpretation of Gabriel Fauré's Nocturnes. Daniel Grimwood is one of the most original musicians of his generati...

Las Dos canciones de Thea Musgrave fueron escritas para barítono y piano sobre textos de Ezra Pound.

Musique Vocale - Melodies A. Acc.

The poetry of Marie Howe has a special place in Ricky Ian Gordon's heart and mind, both haunting and soothing. Without Music is a five-movement work in which Howe's words and Gordon's music together g...

This aria from Stacy Garrop's gripping noir-esque opera, The Transformation of Jane Doe, set in 1920s Chicago is lyrical, lilting, and sweet, a welcome addition to the aria repertoire for Mezzo-Sopran...

MEDITATION FOR THE INNER STORM is a profound yet versatile vocalise against a drone. Performable with any droning sound source, and available in transpositions for high, medium, and low voices, Garrop...

First known to the music world as a guitar recitalist, David Leisner turned to composing his own guitar repertoire, and soon expanded his work to create a rich catalog in the grand tradition of art so...

Ach, ich habe sie verloren (Orpheus und Eurydike) Arie (deutsch/italienisch) für Alt und Klavier (OG 47)

Ein Mädchen oder Weibchen (Zauberflöte) (OG 162) Arie

Ein Mädchen oder Weibchen (Zauberflöte) (OG 162) Arie

für Sopran, Mezzosopran und Klavier (OG 163)

mittlere Stimme und Orchester - Klavierauszug

Strauss composed these songs in 1889/90. He often accompanied his wife, the soprano Pauline Strauss-de Ahna, on the piano and worked with her on interpretations of his piano songs. The resulting entri...