Tarik O'Regan: Partituras medio

A solemn prayer setting for Candlemas, from Sequence For St. Wulfstan. Commissioned by the choir of St. Mary's Episcopal Cathedral, Edinburgh and first performed in February 2005.

The SATB version from O'Regan's 'Triptych'.

Hymnus de Sancte Andree Apostole, commissioned by Wells Cathedral, received its first performance during a live broadcast of Choral Evensong on BBC Radio 3 on 29th November 2006, the Eve of St. Andrew...

Written for SATB choir. Maybe we have time was commissioned by Conspirare and Craig Hella Johnson for their September 2007 concert series in Texas. It sets a poem of the same name by Chilean poet Pabl...

Written for Soprano and Tenor soloists and SATB chours. These two short Emily Dickinson (1830-1886) settings, commissioned by Craig Hella Johnson and Conspirare for their September 2007 concert series...

Lines of Desire is a term attributed by architects and planners to the routes that evolve over time, which people instinctively take through open space, rather than those marked by paths or pavements....

O'Regan's setting of a text by Mark Pryce is a beautiful and peaceful Christmas carol, written for full mixed chorus with Harp accompanying.

Acallam na Senórach, by Tarik O'Regan, was co-commissioned by the National Chamber Choir of Ireland, The DeBartolo Performing Arts Center at University of Notre Dame, Indiana, and Peak Performances at...

Written for SATB chorus, brass quintet and organ. Brass parts, two trumpets, French horn, trombone and tuba.

The Windows was commissioned by Lincoln Cathedral to celebrate the unveiling of the restored Dean's Eye Window. The text is by George Herbert (1593 - 1633), one time Canon of Lincoln. It was premièred...

Written for the Choir of Queen's College Cambridge, this setting of the Cantate Domino was composed to commemorate the restoration of the College chapel's historic 1892 Binns Organ. The work shares so...

The Dorchester Canticles were commissioned by the Bournemouth Sinfonietta Choir, with funds from Arts Council England. Received its première in St Mary's Church, Dorchester in a performance on 22nd Ma...

Fragments from a Gradual Process was commissioned by ensemblebash. The work was premiered by the commissioners, with violinist Madeleine Mitchell, on 21 April 2005 in Turner Sims Concert Hall, Southam...

Written for SSAA choir, with soloists, vibraphone and electric bass guitar.

The organ is played from the vocal score.

The Ecstasies Above, commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music, was premièred by Yale Schola Cantorum under the direction of Simon Carrin...

Commissioned by Tim Brown and the Choir of Clare College, Cambridge.

Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissio...

Alice Changes, by Tarik O'Regan, is a short piece for solo Violin, composed for Thomas Gould. The work progresses through a series of increasingly intricate figurations, which sit on top of the same u...

Motet for SATB Choir A Cappella, commissioned by Sam Hayes and the Choir of Queens' College, Cambridge in commemoration of Her Majesty Queen Elizabeth II becoming Patroness of Queens' College, Cambrid...

The Harp accompaniment part for the SA version of O'Regan's peaceful and beautiful carol. Based on a poem by Mark Pryce.

A wonderful composition by the gifted choral composer Tarik O'Regan for the Corpus Christi Service or Holy Communion. There are variations and optional parts so that the Minister may choose the most a...

Fragment for String Quartet is an arrangement of an extract from And there was a great calm, a Diptych for string orchestra and upper voices.

Full Score of Tarik O'Regan's Triptych - Cantata for string orchestra & chorus. Arranged for Soprano solo, SATB and String Orchestra. Contains texts from William Penn, MuhammadRajab Al-Bayoumi and Wi...