Thomas Morley: Partituras fácil

This fantastic arrangement is the perfect way to introduce Renaissance music to young musicians. An excellent choice for providing contrast within your concert program, this lively dance has wonderful...

Este fantástico arreglo es la manera perfecta de introducir la música renacentista a los jóvenes músicos. Una excelente opción para proporcionar contraste dentro de su programa de concierto, esta anim...

Este fantástico arreglo es la manera perfecta de introducir la música renacentista a los jóvenes músicos. Una excelente opción para proporcionar contraste dentro de su programa de concierto, esta anim...

Introduce your choir to Renaissance a cappella singing through this well-known Thomas Morley madrigal. An excellent choice at festival and contest for younger choirs. Available separately, 3-Part Mixe...

Introduce your choir to Renaissance a cappella singing through this well-known Thomas Morley madrigal. An excellent choice at festival and contest for younger choirs. Available separately, 3-Part Mixe...

A perfect introduction to English madrigals, this arrangement is easily learned by younger or beginning choirs. Fun! Available for TB. Performance Time: Approx. 1:30.

Written during the Elizabethan era, this Thomas Morley madrigal was one of the most popular of its time. In this masterful setting, high and low instruments take turns playing the beautiful melody whi...

Written during the Elizabethan era, this Thomas Morley madrigal was one of the most popular of its time. In this masterful setting, high and low instruments take turns playing the beautiful melody whi...

Now Is The Month Of Maying, composed by Thomas Morley. Taken from 'The EPTA UK Teachers' Choice Piano Collection Book 1', edited by Mark Tanner, arranged for piano solo in digital sheet music format.

Now Is The Month Of Maying, composed by Thomas Morley and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

It Was A Lover And His Lass, composed by Thomas Morley and arranged by Marguerite Wilkinson and Katharine Hart for viola with piano accompaniment in digital sheet music format.

Originalmente escrita para cinco voces, My Bonnie Lass de Thomas Morley se traduce maravillosamente a la orquesta de cuerda, y Deborah Baker Monday añade su propio toque compartiendo la melodía a trav...

Originalmente escrita para cinco voces, My Bonnie Lass de Thomas Morley se traduce maravillosamente a la orquesta de cuerda, y Deborah Baker Monday añade su propio toque compartiendo la melodía a trav...