Villancicos para orquesta

Accompanies X254 (SATB) and T111 (SA) versions.

John Rutters Arrangement des beliebten Spirituels ist lebhaft und fröhlich mit einer Spur Hillbilly- und Bluegrass-Musik. Stimmensatz: Flöte 1, Flöte 2, Oboe 1, Oboe 2, Klarinette 1, Klarinette 2, Fag...

Orchestration: 2 fl (2+ picc), 2 ob, 2 cl, 2 hn, 2 tpt, 3 tbn, tba, timp, 2 perc, hp, str Full score for John Rutter's joyful, sprightly carol Rejoice and sing!, which has been offprinted from Sir Dav...

Set of parts for John Rutter's arrangement of 'Joy to the World'. The carol is available as an individual choral leaflet and as part of the Christmas collection Joy to the World; this set of parts is...

Full score for John Rutter's arrangement of Joy to the World. The carol is available as both an individual choral leaflet and as part of the Christmas collection Joy to the World; this score is compat...

Set of parts for the carol O holy night, which is available both as an individual leaflet and as part of the collection O holy night. SATB & organ/orchestra Orchestration: 3 fl, ob, 2 cl, bsn, 2 hn, h...

Set of parts - Orchestration: 4 fl, ob, 2 cl, bsn, 2 hn, hp, strings

Full score for John Rutter's tender Christmas song. With a simple, appealing melody and a flowing accompaniment, The Colors of Christmas evokes a touching sense of longing for the joys of the festive...

Set of parts for John Rutter's highly original arrangement of the popular Christmas carol. The carol is available both as part of the Joy to the World collection and as an individual choral leaflet; t...

Full score for John Rutter's charming arrangement of the enduringly popular carol. Orchestration: fl, ob, cl, bsn, glock, perc, str.

This set of parts includes the following string parts: 4 x vln I, 4 x vln II, 3 x vla, 2 x vc, 1 x db.

This sprightly setting of a sixteenth-century English text tells the tale of a jolly shepherd named Wat. With an upbeat triple metre and a joyful swing feel, this carol has imaginative, contrasting te...

This sprightly setting of a sixteenth-century English text tells the tale of a jolly shepherd named Wat. With an upbeat triple metre and a joyful swing feel, this carol has imaginative, contrasting te...

This joyous arrangement of a traditional spiritual for choir and orchestra is propelled by a light swing tempo. The mood grows more and more euphoric with each succeeding stanza of text, and the uplif...

This arrangement for choir and orchestra of a traditional American spiritual conjures a deep fervency, belying its simple appearance. The opening instruction is 'With hushed awe', and that encapsulate...

This joyous arrangement of a traditional spiritual for choir and orchestra is propelled by a light swing tempo. The mood grows more and more euphoric with each succeeding stanza of text, and the uplif...

Pulsating rhythms underpin this energetic arrangement of a traditional spiritual. The voice parts progress from a forthright rendition of the famous tune at the beginning to bold and exciting harmonie...

This arrangement for choir and orchestra of a traditional American spiritual conjures a deep fervency, belying its simple appearance. The opening instruction is 'With hushed awe', and that encapsulate...

A cantata for soprano, tenor, and baritone soloists, SATB choir, and orchestra. Words from the Gospels, the Vespers for Christmas Day, and other sources.

With a simple, appealing melody and a flowing accompaniment, The Colours of Christmas evokes a touching sense of longing for the joys of the festive season.

This uplifting Christmas carol demonstrates Rutter's gift for writing engaging and memorable tunes. Both the full score and set of parts are also available on hire/rental.

Full score for John Rutter's charming arrangement of the enduringly popular carol. Also available on hire/rental. A different arrangement for unaccompanied SA voices is in

Accompanies X254 (SATB) and T111 (SA) versions.

Jingle Bells is a Christmas hit known all over the world, so why not play it in some diverse global styles? This was my initial thought when I began working on this arrangement. The opening takes us s...