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The Cobbler's Song, written by Frederic Norton, arranged for voice and piano with guitar chords.
The Cobbler's Song, written by Frederic Norton, arranged for voice and piano with guitar chords.
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The Diver, written by Edward Loder with words by Gordon Douglas Thompson, arranged for voice and piano with guitar chords.
The Diver, written by Edward Loder with words by Gordon Douglas Thompson, arranged for voice and piano with guitar chords.
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The English Rose, written by Edward German with words by Basil Hood, arranged for voice and piano with guitar chords.
The English Rose, written by Edward German with words by Basil Hood, arranged for voice and piano with guitar chords.
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The Gentle Maiden, written by JJ Pain, arranged for voice and piano with guitar chords.
The Gentle Maiden, written by JJ Pain, arranged for voice and piano with guitar chords.
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The Gipsy's Warning, written by Henry A Goard, arranged for voice and piano with guitar chords.
The Gipsy's Warning, written by Henry A Goard, arranged for voice and piano with guitar chords.
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The Lost Chord, written by Sir Arthur Sullivan with words by Adelaide A Procter, arranged for voice and piano with guitar chords.
The Lost Chord, written by Sir Arthur Sullivan with words by Adelaide A Procter, arranged for voice and piano with guitar chords.
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The Miner's Dream Of Home, written by Will Godwin and Leo Dryden, arranged for voice and piano with guitar chords.
The Miner's Dream Of Home, written by Will Godwin and Leo Dryden, arranged for voice and piano with guitar chords.
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The Rose Of Tralee, written by Charles W Glover with words by C Mordaunt Spencer, arranged for voice and piano with guitar chords.
The Rose Of Tralee, written by Charles W Glover with words by C Mordaunt Spencer, arranged for voice and piano with guitar chords.
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The Wolf, written by William Shield, arranged for voice and piano with guitar chords.
The Wolf, written by William Shield, arranged for voice and piano with guitar chords.
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Tom Bowling, written by Charles Dibden, arranged for voice and piano with guitar chords.
Tom Bowling, written by Charles Dibden, arranged for voice and piano with guitar chords.
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Trees, written by Oscar Rasbach with words by Joyce Kilmer, arranged for voice and piano with guitar chords.
Trees, written by Oscar Rasbach with words by Joyce Kilmer, arranged for voice and piano with guitar chords.
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Twickenham Ferry, written by Theo Marzials, arranged for voice and piano with guitar chords.
Twickenham Ferry, written by Theo Marzials, arranged for voice and piano with guitar chords.
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Where My Caravan Has Rested, written by Hermann Lohr with words by Edward Teschemacher, arranged for voice and piano with guitar chords.
Where My Caravan Has Rested, written by Hermann Lohr with words by Edward Teschemacher, arranged for voice and piano with guitar chords.
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Woodman, Spare That Tree, written by Henry Russell, arranged for voice and piano with guitar chords.
Woodman, Spare That Tree, written by Henry Russell, arranged for voice and piano with guitar chords.
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That's All, written by Alan Brandt and Bob Haymes and recorded by Bobby Darin, arranged for voice and piano with guitar chords
That's All, written by Alan Brandt and Bob Haymes and recorded by Bobby Darin, arranged for voice and piano with guitar chords
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Setembro (Brazilian Wedding Song), written by Ivan Lins and Gilson Peranzzeta, as recorded by Quincy Jones, arranged for voice and piano with guitar chords.
Setembro (Brazilian Wedding Song), written by Ivan Lins and Gilson Peranzzeta, as recorded by Quincy Jones, arranged for voice and piano with guitar chords.
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I Don't Go For That, written by Ian Prince, as recorded by Quincy Jones, arranged for voice and piano with guitar chords.
I Don't Go For That, written by Ian Prince, as recorded by Quincy Jones, arranged for voice and piano with guitar chords.
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I'll Be Good To You, written by George Johnson, Louis Johnson and Senora Sam, as recorded by Quincy Jones, arranged for voice and piano with guitar chords.
I'll Be Good To You, written by George Johnson, Louis Johnson and Senora Sam, as recorded by Quincy Jones, arranged for voice and piano with guitar chords.
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Prologue (2Q's Rap), written by Quincy Jones and Antonio Hardy, as recorded by Quincy Jones, arranged for voice and piano with guitar chords.
Prologue (2Q's Rap), written by Quincy Jones and Antonio Hardy, as recorded by Quincy Jones, arranged for voice and piano with guitar chords.
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Central Reservation, written and recorded by Beth Orton, arranged for voice and piano with guitar chords.
Central Reservation, written and recorded by Beth Orton, arranged for voice and piano with guitar chords.
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Anyone Can Whistle, written by Stephen Sondheim, from the musical production 'Anyone Can Whistle', arranged for voice and piano with guitar chords.
Anyone Can Whistle, written by Stephen Sondheim, from the musical production 'Anyone Can Whistle', arranged for voice and piano with guitar chords.
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At Long Last Love, written by Cole Porter, as recorded by Frank Sinatra, arranged for voice and piano with guitar chords.
At Long Last Love, written by Cole Porter, as recorded by Frank Sinatra, arranged for voice and piano with guitar chords.
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Blues In The Night (My Moma Done Tol' Me), written by Harold Arlen with words by Johnny Mercer, as recorded by Frank Sinatra, arranged for voice and piano with guitar chords.
Blues In The Night (My Moma Done Tol' Me), written by Harold Arlen with words by Johnny Mercer, as recorded by Frank Sinatra, arranged for voice and piano with guitar chords.
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Dream, written by Johnny Mercer, as recorded by Frank Sinatra, arranged for voice and piano with guitar chords.
Dream, written by Johnny Mercer, as recorded by Frank Sinatra, arranged for voice and piano with guitar chords.
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Goody Goody, written by Johnny Mercer and Matt Malneck, as recorded by Frank Sinatra, arranged for voice and piano with guitar chords.
Goody Goody, written by Johnny Mercer and Matt Malneck, as recorded by Frank Sinatra, arranged for voice and piano with guitar chords.
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