medio: Arreglos originales

Transcribed from her album 'Bette Midler Sings the Rosemary Clooney Songbook', this version was performed as a duet between Ms Midler and Barry Manilow (who also played the Piano on the track), and it...

Jazz at Lincoln Center Library. is an exciting project under the artistic direction of Wynton Marsalis that is dedicated to the preservation of the jazz style and designed to honor the greats of jazz...

Surely the ultimate slow rock ballad alto sax feature number - starting dreamily with synth. and woodwind (cued on saxes if doubling not available) with bass guitar then setting the groove allowing th...

Hey! Ba Ba Re Bop! was performed by Tex Beneke, both while fronting the post-war Miller band, and with his own outfit. In many ways this chart was a portent of things to come, and brifges the gap betw...

When a world-famous pop classic meets legendary big band craftsmanship, pure musical magic is born: With "Don't Lose My Number," iconic arranger Sammy Nestico has transformed Phil Collins' mega-hit in...

Originally written for the film 'Youth on Parade' by the prolific team of Jule Styne & Sammy Cahn, this tune became a huge hit for Helen Forrest and the Harry James Orchestra.HJ recorded the chart in...

This version of Alright, Okay was done by Joe Williams with the Count Basie Orchestra and it is a very dancable bouncy shuffle that has a solid pulse. There is nothing complicated about the chart and...

This chart of Night and Day is transcribed and adapted from Artie Shaw's April 1937 RCA session, the original arrangement being penned by Jerry Gray. The band then consisted of 5 Brass, 4 Reeds, 4 Rhy...

This version of I Know Why is taken from the film 'Sun Valley Serenade' and includes an additional instrumental chorus not found in the earlier Miller recorded version. A lovely vocal ballad, scored f...

Here's a swinging chart of the Christmas standard as arranged by Frank DeVol for Ella Fitzgerald's 1960 album 'Ella Wishes You a Swinging Christmas.' This was arranged to feature a solo vocalist along...

Robbie and Guy Chambers back together (at last!) for this opening number on the 'Swings Both Ways' Album. A Perfect and very playable new number for a concert or party night. Key: Bb Vocal range: A -...

Here is our faithful transcription of Skippy Martin's inspirational chart written for the Les Brown band. It is not a rework of the stock chart that was published decades ago which contained many erro...

One of the most well-known jazz standards of the 1950s, Benny Golson's 'Whisper Not' began life innocently enough as an arrangement for trumpeter Dizzy Gillespie's 1956 State Department big band. Alth...

One of the more famous tunes from the Les Brown Orchestra, Leap Frog is one of those charts that gets feet tapping and dancers dancing. It simply bounces from start to finish. Technically, this is a s...

Glenn Miller recorded this chart in July 1942 Victor 20-1509-B, as the B-side to Juke Box Saturday Night. The original arrangement is credited to George Williams who also arranged extensively for Lunc...

Whilst almost everyone knows the Miller version of this Jerry Gray tune, not so many are familiar with the Benny Goodman chart arranged by Mel Powell for Goodman in 1942. It is taken more up-tempo and...

This is an optional String Pack for our arrangement of 'I've Got You Under My Skin', and comprises Violins A, B & C (3 copies each), Violas (2 copies) and Chelli (2 copies), plus a condensed score of...

A powerful mid-tempo hard-driving number with sections for open solos. Right from bar 1 this chart really shows what excitement can be generated by the sound of the contemporary big band. From the alb...

Medium up-tempo D-flat major blues (half note = 108) scored for Count Basie (and partially dictated by the Count himself) around 1060, somewhat imitating the Basie Band style of the 1940's, with brass...