Partituras clásicas de Johann Sebastian Bach

Eminently playable by advanced amateur or student orchestras, this arrangement maintains the lush and driven rendition of the original without the developmental sections. The tempo may be adjusted to...

Eminently playable by advanced amateur or student orchestras, this arrangement maintains the lush and driven rendition of the original without the developmental sections. The tempo may be adjusted to...

Eminently playable by advanced amateur or student orchestras, this arrangement maintains the lush and driven rendition of the original without the developmental sections. The tempo may be adjusted to...

A diferencia del arreglo de Ormandy de este preludio coral, la sección de fantasía comienza después del enunciado completo del coral. La partitura permite la interpretación con cuerdas solas en la muy...

Kantate zum 2. Pfingsttag. Urtetxt der Neuen Bach-Ausgabe. Sopran solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Horn, Trompete/ Zink, Posaune (3), Streicher, Basso continuo - Partitur

Kantate zum 4. Adventssonntag. Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Streicher, Basso continuo

Urtext der Neuen Bach-Ausgabe. Solo-Instr., Orchester - Partitur; Urtextausgabe; Sammelband; Gesamtausgabe

Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe

Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe

Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe

Kantaten BWV 129, 165, 176; BWV 20, 39, 75. Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe

Urtext der Neuen Bach-Ausgabe. Orchester - Partitur; Urtextausgabe; Gesamtausgabe Orchesterwerke - Sinfonieorchester - Sinfonieorchester ohne Soloinstrumente.

Este Informe crítico, publicado por separado, ofrece información exhaustiva sobre la génesis, la transmisión, las fuentes y las lecturas de las obras editadas en este volumen.

Johann Sebastian Bachs vier Orchestersuiten (BA 5252-BA 5255) gehören zu jener besonderen Gruppe barocker Orchesterwerke, die von je her äusserst beliebt und vielgespielt sind. Sie stammen wahrscheinl...

From the Birthday Cantata, this familiar tune is filled with the infectious melodic material and mesmerizing harmonic content that are so characteristically Bach. The Best of Bach can be played with j...

From the Birthday Cantata, this familiar tune is filled with the infectious melodic material and mesmerizing harmonic content that are so characteristically Bach. Best of Bach can be played with just...

From the Birthday Cantata, this familiar tune is filled with the infectious melodic material and mesmerizing harmonic content that are so characteristically Bach. The Best of Bach can be played with j...

La conocida melodía de Johann Sebastian Bach gustará a todos. Con una sólida partitura para sus cuerdas u orquesta completa, la delicada melodía reforzará la musicalidad de todo el conjunto. (3:08)

Music for a Leipzig 'coffee house' and for other venues - Johann Sebastian Bach composed not only for the nobility and the church, but also for bourgeois musical culture. Among these works are the har...

El oratorio de Pascua BWV 249 se estrenó el Domingo de Pascua de 1725 con el texto "Venid, daos prisa y corred". En el cómputo de la nueva BWV, se trata ya de la BWV 249.3, tras dos cantatas de felici...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

El libretista de Johann Sebastian Bach, Salomon Franck, llamó "Frohlockender Götterstreit" a la música de felicitación para la corte de Saxe-Weissenfels, que hoy se conoce generalmente como "Cantata d...