Partituras clásicas de Johann Sebastian Bach

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

EIN' FESTE BURG IST UNSER GOTT ("Fortaleza poderosa es nuestro Dios") es uno de los himnos más conocidos escritos por el reformador Martín Lutero, y ha sido utilizado por muchos compositores, entre el...

EIN' FESTE BURG IST UNSER GOTT ('A Mighty Fortress Is Our God') is among the best known hymns written by reformer Martin Luther, and has been used by many composers, including by J.S. Bach, in various...

J.S. Bach (1685-1750) escribió la "Cantata de caza" (Jagdkantate) profana en 1713 con motivo del cumpleaños del duque Christian von Sachsen-Weisenfels. Sachsen-Weisenfels, un apasionado de la caza. El...

J.S. Bach (1685-1750) escribió la "Cantata de caza" (Jagdkantate) profana en 1713 con motivo del cumpleaños del duque Christian von Sachsen-Weisenfels. Sachsen-Weisenfels, un apasionado de la caza. El...

Johann Sebastian Bach's Brandenburg Concerto No. 3 in G major, BWV 1048, stands as an undisputed highlight of the Baroque orchestral repertoire. Bursting with infectious energy, instrumental brillianc...

Orchestration: 2 oboi d'amore, strings and b.c.

Orchestration: 1 oboe, 1 bassoon. Strings (violas divided) and b.c.

Johann Sebastian Bachs Magnificat BWV 243 ist eine opulente Festmusik, die in vielerlei Hinsicht eine Besonderheit in seinem Œuvre darstellt. Die erste Fassung (Es-dur, BWV 243.1) erfährt ihre Urauff...

The present piano reduction by Günter Raphael was published together with the source-critical new edition of the complete performance material. The editor Gerd Sievers reverted to the original score (...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

Experience one of the most radiant pinnacles of Baroque orchestral mastery: Johann Sebastian Bach's Orchestral Suite No. 3 in D major, BWV 1068, has captivated musicians and audiences worldwide for ge...

Johann Sebastian Bach’s Orchestral Suite No. 4 in D major (BWV 1069) is a magnificent masterpiece of Baroque festive brilliance and orchestral splendor. As a radiant highlight among his four orchestra...

For solos (SATB), mixed choir and orchestra.

Experience one of the most uplifting masterpieces of sacred Baroque music with Johann Sebastian Bach's festive cantata "Lobet Gott in seinen Reichen" (BWV 11), also known as the Ascension Oratorio. Wi...