Partituras para piano

Fast tempo is a fascinating phenomenon people are not immune to. The childish joy of fast movement, of testing one's limits and possibilities as well as of playing with time nurtures our pleasure in f...

The two-volume collection 'Romantic Piano Music' draws from the vast repertoire of 19th-century music for piano duet. The 23 pieces include real 'gems' - unjustly forgotten or lesser known works which...

The two-volume collection 'Romantic Piano Music' draws from the vast repertoire of 19th-century music for piano duet. The 23 pieces include real 'gems' - unjustly forgotten or lesser known works which...

Estas tres piezas encontradas en el patrimonio del compositor son un testimonio de las técnicas compositivas empleadas por Zimmermann a la edad de 22 años. Constituyen un interesante complemento a su...

Shchedrin, son of a composer and music teacher, underwent a thorough musical training in Moscow. His versatility and dazzling competence across a wide variety of musical genres are surely a result of...

These demanding pieces are very much in the spirit of the late Romantic period but nevertheless are not as technically exacting as those of the great Romantic masters.

These demanding pieces are very much in the spirit of the late Romantic period but nevertheless are not as technically exacting as those of the great Romantic masters.

In 2001 the musical world commemorates the 100th anniversary of Giuseppe Verdi's death. Verdi has long been synonymous with Italian Opera in the popular conscience, not just since the concerts of the...

Spring Music - The Seasons II (1995)This Spring music forms part of the cycle The Seasons, a collection for piano containing the previously published pieces Balta ainava (White Landscape) and Rudens m...

Spring Music - The Seasons II (1995)This Spring music forms part of the cycle The Seasons, a collection for piano containing the previously published pieces Balta ainava (White Landscape) and Rudens m...

Heinz Holliger has dealt intensively with Friedrich Hölderlin and Robert Schumann. The third movement of his Partita, a Barcarole, is preceded by the motto: ‘We should let ourselves be cradled , As if...

The tonal language of the young Richard Strauss is still characterized by the traditions of the 19th Century; indeed, the musical content of the composer's early piano works is determined to a large e...