Partituras para piano

Chopin's Piano Concertos first saw the light of day around 1829/1830 and thus represent the culmination and termination of his student years in Warsaw. Both concertos are early masterpieces with which...

Bach's death meant that the Art of Fugue was left unfinished. In his father's manuscriptCarl Philipp Emanuel noted exactly where the last fugue of the Art of Fugue broke off: 'While working on this fu...

In 1884 Grieg composed a suite in Baroque style on the occasion of the 200th birthday of the poet Ludvig Holberg, who was very well-known in Norway. Taking inspiration from Holberg's time there are da...

'Do you not know Jean Paul, our great writer? I have learnt more counterpoint from him than from my music teacher'. His 'Vorschule der Ästhetik' with its extensive treatment of humour probably occasio...

This volume gathers together, in chronological order, a selection of solo piano pieces that Schubert, to be sure, created as 'shorter' occasional works but which form an important part of his complete...

Domenico Scarlatti is today considered as one of music history's great piano composers, and the first-ever piano virtuoso. The present collection contains 24 sonatas from various creative periods, off...

To Diotima' - this addendum to the title was preserved until shortly before publication of the piano 'songs' and mystified Schumann's contemporaries. 'The Goddess to whom they are addressed has caused...

These six little piano pieces are among Liszt's best-known works and are comparatively easy to play - a rarity amongst the composer's often eccentric and virtuosic works. In 1844 Liszt had already beg...

The great D major sonata for two pianos, K. 448, is - of course - the absolute showpiece of this Urtext edition. The first movement opens like an operatic overture with timpani and trumpets, the Andan...

In memory of the deceased illustrator and architect Viktor A. Hartmann (1834-1873), an exhibition of his watercolours and drawings was organised in 1874. Modest Mussorgsky, who had been Hartmann's fri...

The pianistically demanding studies 'Waldesrauschen' and 'Gnomenreigen' were written during the composer's mature late phase, in which one does not necessarily expect such virtuosic pieces. Liszt comp...

In his collections of Impromptus and Moments musicaux, Franz Schubert impressively showed at the end of his life how a lyrical, songlike form can be rendered on the piano. In spite of their simplicity...

In early 1878, Peter Tchaikovsky had just sent his opera 'Eugene Onegin' and his Fourth Symphony on their way, but had no intention of taking a creative break. On the contrary, he immediately took up...

The opus number of Beethoven's Easy Piano Sonatas op. 49 is misleading. The pieces were written not long after the Sonatas opp. 2, and most likely - in part, at least - before his Sonata op. 7. Sketch...

Replaces HN36 Fingering: Andreas Boyde Johannes Brahms' late piano works in the form of the two editions HN36 (paperbound) and 37 (clothbound) have been a cornerstone of the Henle catalogue ever since...

Revised edition replaces HN65. Fingering: Michael Schneidt Bach's Inventions and Sinfonias are rightly considered as indispensable to every pianist. In his famous preface to the collection, Bach himse...

Johann Sebastian Bach's three great cycles of suites belong to the fundamental canon of piano literature: the Partitas and the so-called English and French Suites. It is the French Suites that have lo...

The epithet "English Suites" - as with the "French Suites" - did not originate with Bach himself. In contrast to the six intimate French Suites, Bach's English Suites adopt a grander tone, each one op...

This rousing Polonaise, which is preceded by a nocturne-like Andante, was originally a work for piano and orchestra. It was written at the same time as Chopin's two piano concertos in e minor and f mi...

These Drei Notturnos appeared in 1850 in two different versions: the first for high voice and piano and the second for piano solo. In the latter version the music is preceded by the song texts (no. I...

It is hardly a coincidence that Chopin dedicated each of his Three Waltzes op. 64, written in 1847, to a baroness or countess: aristocratic ladies offered the ideal public for this music, both as perf...

In the last years of his life, Schubert increasingly succeeded in finding publishers for his works. His Impromptus and Moments musicaux, for example, appeared in print in 1827 and 1828. Probably to pi...

Chopin's Nocturne in E flat major op. 9 no. 2 belongs without a doubt among the most beloved works of this genre, and perhaps even of Chopin's entire oeuvre. Echoing the operatic style, the sensual be...

After intensive sketching work, Grieg sends the neatly written autograph engraving to his publisher. The first edition (1891) corresponds to the text of this autograph. Interestingly, Grieg changes so...

My compositions are very profitable for me and I can say that I have more orders than are almost possible for me to fulfil.' Beethoven wrote the latter to a friend in 1801. He had only just completed...