Bärenreiter Urtext

Am 20. Dezember 1823 erlebte Helmina von Chézys "großes romantisches Schauspiel" "Rosamunde" seine Uraufführung im Theater an der Wien. Diese Fassung des Dramas mit Geistererscheinungen, Schiffbruch,...

Nach dem großen Erfolg von "Iphigénie en Tauride" bearbeitete Gluck das populäre Drama um menschliche Leidenschaften, Schuld und bedingungslose Freundschaft für das Wiener Burgtheater erneut (Urauffüh...

Mit den sechs- und siebenstimmigen Motetten liegt die revidierte Fassung der 'Geistlichen Chor-Music' nun komplett vor. Alle Stimmen der Motetten können, wie Schütz in seinem Vorwort zur Sammlung besc...

Mit den sechs- und siebenstimmigen Motetten liegt die revidierte Fassung der "Geistlichen Chor-Music" nun komplett vor. Alle Stimmen der Motetten können, wie Schütz in seinem Vorwort zur Sammlung besc...

Gemischter Chor, Basso continuo - Partitur; Urtextausgabe

Urtext de la Nueva Edición Mozart Oboe (2), Clarinete en si bemol (2), Trompa (2), Fagot (2) - Partitura

Urtext de la Nueva Edición Mozart Oboe (2), Clarinete en si bemol (2), Trompa (2), Fagot (2) - Partitura

Versión sexteto (1781) y versión octeto (¿1782?) según la Nueva Edición Mozart - Versión sexteto (1781) y versión octeto (¿1782?). Clarinete en si bemol (2), Trompa (2), Fagot (2); Oboe (2), Clarinete...

Versión sexteto (1781) y versión octeto (¿1782?) según la Nueva Edición Mozart - Versión sexteto (1781) y versión octeto (¿1782?). Clarinete en si bemol (2), Trompa (2), Fagot (2); Oboe (2), Clarinete...

Pavel Haas (1899-1944), one of Leoš Janácek’s most talented pupils, composed his Wind Quintet op. 10 in 1929. This work was issued by the Prague publisher Edition Sádlo in 1934, and is one of the few...

Als 'eine Art Erinnerungen an die Jugend' charakterisierte der fast siebzigjährige Leos Janacek das gerade beendete Bläsersextett in einem Brief an Kamila Stösslovß. Die Suite 'Jugend' entstand im Som...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...