Baton Vocal

Der Vogelfänger bin ich ja is sung by Papageno, the birdcatcher at the very beginning of Mozart's opera Die Zauberflöte: covered with feathers he introduces himself by singing a ditty in popular style...

Der Vogelfänger bin ich ja is sung by Papageno, the birdcatcher at the very beginning of Mozart's opera Die Zauberflöte: covered with feathers he introduces himself by singing a ditty in popular style...

The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...

The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

Enchant your audience with one of the most delightful and beloved moments in opera history: "Ein Mädchen oder Weibchen" from Wolfgang Amadeus Mozart's masterpiece The Magic Flute. Near the end of the...

The aria Ein Mädchen oder Weibchen is sung by Papageno near the very end of Mozart's opera Die Zauberflöte. He sighs for someone to love. (Baritone and Concert Band)

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...

Bring the sparkling joy and elegance of the Golden Viennese Operetta era to life! With "Im Feuerstrom der Reben", Baton Music presents the exhilarating climax and grand finale of the second act from J...

'O Fledermaus, o Fledermaus' es el final de la Opereta "Die Fledermaus". (2 Sopanos, 2 Mezzo Sopranos, 2 Tenores, 2 Barítonos, Coro y Banda de Concierto)

The aria Uzh kak po mostu,mostochku is sung by Olga, Tatyana's sister in the first act of the opera. She tells Tatayana of her merry disposition: 'I am carefree and full of fun, and everyone calls me...

The aria Uzh kak po mostu,mostochku is sung by Olga, Tatyana's sister in the first act of the opera. She tells Tatayana of her merry disposition: 'I am carefree and full of fun, and everyone calls me...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The duet Komm mit mir zum Souper is placed in the first act: Dr. Falk...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The duet Komm mit mir zum Souper is placed in the first act: Dr. Falk...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The aria Spiel'ich die Unschuld vom Lande is sung in the third act by...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...

Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...

The recitativo Crudele! Ah no mio bene! and the aria Non mi dir, bell' idol mio is sung by Donna Anna near the very end of the opera Don Giovanni.In a room of her house, Ottavio offers to make Donna A...

The recitativo Crudele! Ah no mio bene! and the aria Non mi dir, bell' idol mio is sung by Donna Anna near the very end of the opera Don Giovanni.In a room of her house, Ottavio offers to make Donna A...