Concertino

This work created in 1955 is one of the most rewarding and accessible pieces of contemporary literature for string orchestra. The balance between technical simplicity and musical and tonal effect is e...

Stimmensatz - 5 V I, 5 V II, 3 Va, 5 Vc/Kb - Violine, Streichorchester und Cembalo

Stimmensatz - 5 Violinen I; 5 Violinen II; 3 Violen; 5 Violoncelli/Kontrabässe - Streichorchester

This suite has been taken from the music of the Christmas tale of the same name. The instrumentation can be easily realized with four woodwind instruments, two brass instruments, timpani and strings....

Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...

The composer born in Prague, now living in America, studied with Honegger and Nadia Boulanger. The pieces created in 1955 are very rewarding for orchestral work since all parts are treated equally. Th...

The composer born in Prague, now living in America, studied with Honegger and Nadia Boulanger. The pieces created in 1955 are very rewarding for orchestral work since all parts are treated equally. Th...

With this work, Pachelbel, who was born in Nuremberg, created one of the most popular orchestral pieces of the baroque period. In the canon two of the strictest contrapuntal forms are combined: The th...

With this work, Pachelbel, who was born in Nuremberg, created one of the most popular orchestral pieces of the baroque period. In the canon two of the strictest contrapuntal forms are combined: The th...

The three-movement work can be regarded as instructive introduction into a modern world of sounds. It can be performed both as solo piece and with string chorus. Bowing indications have been given in...

Because of its scoring, this uncomplicated little six-movement suite in a folkloric style is, above all, suitable for the first ensemble playing in violin lessons. As vigorous effective music, it suit...

Because of its scoring, this uncomplicated little six-movement suite in a folkloric style is, above all, suitable for the first ensemble playing in violin lessons. As vigorous effective music, it suit...

Viel hat Harald Genzmer für die musikalische Nachwuchsarbeit getan und so mancher Streicher wird sich an Schulorchesterzeiten erinnern, in denen die Sinfonietta des öfteren auf dem Programm stand. Doc...

Franz Benda belongs to the so-called Berlin or North German School which became extremely significant in the second half of the 18th century particularly in the field of instrumental music and which m...

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thoroughly edited scores follow essentially the first edition printed...

This arrangement closes a gap in the repertoire since there is no easy literature from the baroque period for today's common Bb trumpet.

Flöte I/II, Oboe I/II, Horn-a I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe

Stimmensatz - Fl I, Fl II, Ob I, Ob II, Hr-g/-d I, Hr-g/-d II, 4 V I, 4 V II, 2 V III (statt Va), 2 Va, 4 Vc/Kb

The important teacher of composition and church composer wrote this effective Neo-classical work as a tribute to the Renaissance composer Ludwig Senfl.

Stimmensatz - Oboe I, Oboe II, Horn-d I, Horn-d II, 4 Violinen I, 4 Violinen II, 2 Violen, 4 Bassi

F.A. Rössler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G maj...

This work rewarding for soloist and orchestra is a revealing contribution to the development of the piano concerto at the end of the 18th century.