Concertino

This arrangement closes a gap in the repertoire since there is no easy literature from the baroque period for today's common Bb trumpet.

Flöte I/II, Oboe I/II, Horn-a I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe

Stimmensatz - Fl I, Fl II, Ob I, Ob II, Hr-g/-d I, Hr-g/-d II, 4 V I, 4 V II, 2 V III (statt Va), 2 Va, 4 Vc/Kb

The important teacher of composition and church composer wrote this effective Neo-classical work as a tribute to the Renaissance composer Ludwig Senfl.

Stimmensatz - Oboe I, Oboe II, Horn-d I, Horn-d II, 4 Violinen I, 4 Violinen II, 2 Violen, 4 Bassi

F.A. Rössler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G maj...

This work rewarding for soloist and orchestra is a revealing contribution to the development of the piano concerto at the end of the 18th century.

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe

In the concerto of the French composer, also a famous flautist, classical cheerfulness and elegant virtuosity are combined with each other.

In dem Concerto des auch als Flötist berühmten französischen Komponisten sind klassische Heiterkeit und elegante Virtuosität miteinander verbunden.

Stimmensatz - Oboe I; Oboe II; Horn I; Horn II; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe - Orchester

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe - Orchester

Streicher-Ergänzungssatz - 2 Violinen I, 2 Violinen II, Viola, 2 Bassi: Violoncello/Kontrabass/Fagott

The suite from the cycle 'Plöner Musiktag' (1932) was structured according to the exact instrumentation directions of the composer and completed with a percussion part ad lib. Particular attraction is...

We know very little of this play which is prob-ably based on the classical legend of the untying of the Gordian knot by Alexander the Great. The libretto was never printed. Of the piece it-self, only...

The three-movement overture is a succinct work full of contrasts. The 3rd movement Paesana imitates the popular violin-playing of Scotland that Barsanti got to know there (from the age of 24, he lived...

Stimmensatz solistisch

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe

Muffat, pupil of Lully and Corelli, composed his concerto 'Victoria Maesta' ('Sad Victory') in 1689 as organist and chamber musician in the court of the archbishop of Salzburg. The title refers to the...

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

This concerto for oboe and string orchestra in G major first appeared under the name of Giovanni Platti. According to new research by the present editor, however, it can be attributed to the Catalan c...

The comedy 'The Married Beau, or the Curious Impertinent' by John Crowne is based on an episode from the first part of Miguel Cervantes' novel 'Don Quixote'. Purcell's theatre music consists of nine m...

With this lively suite, the Hungarian music -teacher and pupil of Kodaly created a very in-s-tructive piece. Since all parts have independ-ent melodic tasks and are very often opposed to each other on...

The Spiritual Concerto for violin and string orchestra by Helmut W. May has everything that is necessary to become a repertory piece for young violin soloists: of medium difficulty, rewarding, despite...

Especially for school orchestras, this edition -offers violin III as alternative for the viola part.