Hinshaw Concert

Originally for mixed voices (HMC1720), Kenney Potter sets his original spiritual for male chorus, suitable for high school voices or adults.

Composer Kelly Turner has taken this familiar tune and set it for unaccompanied male chorus in a clever rhythmic style. Try it with your male singers for this year's concert.

This postlude to the words from Paradise Set (Holy, Hallelujah, Selah, Hosanna) is now available for double male chorus, suitable for a male chorus festival.

Originally scored for mixed voices as a part of the set Words from Paradise, this re-voicing for unaccompanied male chorus is lively and has use both in the church and with some academic ensembles. Us...

Originally set for mixed voices, this re-voicing for unaccompanied TTBB male chorus with divisi sets the traditional text from the book of Ruth. For a capable advanced ensemble, the lovely tonal langu...

Contents:1. Christmas Is A Feeling (HMC116). 2. Holy Manger (HMC368). 3. In Babylon Town (HMC119). 4. Our Brother Is Born (HMC293). 5. At This Joyous Christmas Time (HMC332). 6. Star Of Light (HMC515)...

This setting is an excellent way of continuing the study of two part harmony with treble choirs since, with few exceptions, this piece is a canon. Psalm 100 works equally well both as a Sunday morning...

A wonderfully stirring piece for two equal voices, contrapuntal lines well within the reach of most high school or adult choirs. This moderately advanced choral work is from our Jean Ashworth Bartle C...

Includes three bright charming Christmas songs: 'Good Night Little Jesus' - sweet & serene original work 'It Was Poor Little Jesus' - exciting arrangement of the traditional song 'The Angel Band' - fu...

This is a very interesting arrangement of the traditional tune. Sweet and low like a lullaby, melded with 'Twinkle, Twinkle Little Star. ' This works well for a more advanced children's choir or a beg...

Heart-lifting spiritual arranged for two-part choir, fairly easy to perform

From the Jean Ashworth bartle choral series for treble voices. The series offers two versions of this well loved piece: this one, (in the key of a-flat), is the easier one and can be used with smaller...

A favorable octavo for the second Sunday after Epiphany, this is a wonderful arrangement of the well-loved spiritual.

Beautiful, but fairly difficult, written for 2-part choir and keyboard

Composed by Joy Webb for treble voices, this jaunty and refreshing work has already become a favorite for youth and children's festivals all over the world.

Ryan D. Neaveill returns to the Hinshaw catalog with a festive work for 2-part mixed voices, keyboard, and optional cello and violin. Sung in either Latin or to an English adaptation, the piece could...

Combining a number of medieval texts in both English and Latin, this work for treble voices is accompanied by piano or organ in a style true to the spirit of the texts.

This prize-winning piece for unison voices with optional second part and piano is a marvelous work for teaching mixed meters.

This unison (opt. harmony) work for treble voices was written in response to the tragedy of September 11. Healing in nature, the composer states: 'I wanted a tuneful, patriotic, American sounding melo...

Canadian composer Mark Sirett has an exceptional compositional voice. Try this spirited work with your treble chorus.

Editor Maribeth Yoder-White indicates in her notes that this work is 'an accessible, exciting selection that works well with a variety of ensembles, including festival and massed choirs. ' The text is...

Set for two-part treble chorus with keyboard or instrumental ensemble, the Mazzoni Credo is a lively setting of the Nicene Creed. The four short movements are easily sung by young or more mature voice...

Try this lovely old English carol with children and/or adult trebles on Christmas Eve or anytime up through Epiphany.

In recent years there has been a resurgence of interest in the use of baroque literature with young voices. This splendid arrangement edited by Maribeth Yoder-White (Accent On Young Voices) could be u...

This piece is included in the series Accent On Young Voices edited by Maribeth Yoder-White. Scored for three-part voices in any combination, there are many possibilities for the performance of this pi...