Hinshaw Sacred

Robert Lau is well know in church music circles for his exquisite part writing, understanding of the human voice, and all the practical considerations necessary for successful music ministry. Here he...

The incessant eighth note 'rocking' motive in the accompaniment truly sets the mood for this reflective piece. The confessional text could easily be used during holy week, on Passion Sunday, or for pe...

Sandra Ford writes such accessible and engaging works for the small church choir. Here, she sets the familiar baker text for SAB mixed chorus with piano and optional flute. It is a great anthem of pra...

This anthem for celebration of the eEcharist is based on the hymn tune Penitentia (found in many hymnals). Set to a text by Horatius Bonar and based on Revelation 19, Howard Helvey scores the work for...

It is not always easy to find a piece specifically about Joseph since the many Marian texts tend to over shadow 'the earthly father'. Nonetheless, Robert Lau smartly arranged this lovely melody and te...

Set to the free meter of chant, this piece is true to the 13th century plainsong. It is scored for SATB mixed chorus, optional children's choir, congregation and piano with optional flute or brass qui...

This is an amazing rhythmic setting of the traditional German carol. Scored for SATB mixed voices with piano, the 7/8 meter provides new life to a work known to many of us. A good high school choir wo...

Dramatic, four-minute piece adapted from the letters of Peter, within the reach of most choirs

Beautiful, controlled setting of the familiar words from the Book of Common Prayer, not difficult, but requires attention to detail.

Selections from the letters from John capture the excitement of a first hand account of the good news, good chance to highlight the choir.

Words from Shakespeare (Hamlet) for SATB and guitar, it is a little different, but quite accessible for secondary chorus.

Not what we think of as today's 'praise songs', this is eight simple service pieces, mostly two-part rounds, some four-part, an exceedingly useful addition to the folder.

Gilbert Martin's lovely arrangement for 3-part treble voices, with keyboard and optional bells (handbells, orchestra bells, or chimes)

This is an Epiphany piece for the young or lesser-experienced choir. While the sopranos and baritones are playing with the melody, the altos are crooning alleluias in the middle, it is simple and swee...

Words and music by Gil Martin, easy and versatile, SATB with unison

A 'state and festival' piece from our Accent On Youth Series, for SATB with keyboard and optional flute and brass (included in the octavo). Ends with the hymn All Glory, Laud, and Honor, with a chance...

From Southern Harmony1835Epiphany piece for SATB and keyboard, with several possible configurations of optional instruments (flute/ violin, and/or trumpet/cornet, and/or string bass/electric bass/cell...

From our Accent On Youth Series. This is an easy, but beautiful piece for youth or adult choir that starts simple and gets progressively richer in texture.

Not exactly a round (the parts don't follow in a regular order), but there are variously staggered entries that provide a rich texture, this is a highly accessible piece.

From Gardner's 'Six American Hymns In A Free Style'Here, he pairs familiar text with an accompaniment derived in part from Bach's Herz Und Mund Und That Und Leben.

From Gardner's 'Six American Hymns In A Free Style'This one will give your choir a bit of a workout without being too difficult.

From Gardner's 'Six American Hymns In A Free Style' The familiar words set for SATB with a mezzo-soprano (or baritone) solo

From Gardner's 'Six American Hymns In A Free Style' A setting of Harry Emerson Fosdick's powerful words

A lovely and accessible setting of F. Pratt Green's familiar words

Fairly easy but very effective piece for youth or adult groups. Dynamics range from brazen fanfare to worshipful awe.