Hinshaw Secular

The word 'samba' comes from a Brazilian rhythm and dance and the word 'lele' is an expression of excitement. Expressing an invitation to dance the samba, Will Lopes arranged the folk song for unaccomp...

Scored for a cappella mixed chorus with divisi, this setting of the adapted Emily Dickinson text would work especially well as a commencement anthem-whether in an auditorium, on an athletic field, or...

Scored for a cappella mixed chorus with divisi, this setting of the adapted Emily Dickinson text would work especially well as a commencement anthem-whether in an auditorium, on an athletic field, or...

This setting of the poignant and inspirational poem by William Ernest Henley is about overcoming life's dark moments and becoming a master of your fate. Appropriate for mixed choirs of all ages includ...

This setting of the poignant and inspirational poem by William Ernest Henley is about overcoming life's dark moments and becoming a master of your fate. Appropriate for mixed choirs of all ages includ...

This fascinating text by Longfellow is skillfully set here for high school as well as college and professional choirs. Try it during American music month or as a commencement anthem.

This fascinating text by Longfellow is skillfully set here for high school as well as college and professional choirs. Try it during American music month or as a commencement anthem.

With an original text inspired by John Donne, this piece illustrates the power of peace and all the blessings it brings. Written for the meeting of the Nairobi Chamber Chorus and Festival Singers of F...

With an original text inspired by John Donne, this piece illustrates the power of peace and all the blessings it brings. Written for the meeting of the Nairobi Chamber Chorus and Festival Singers of F...

Brahms' sweetly sad piece likening the autumn of life to the autumn of the year edited by Ray Robinson for the Choral Tradition Series, a cappella for medium-advanced secondary level

An uncomplicated, a cappella arrangement of this English folksong, a nice contrast to showier concert pieces, secondary level

From our Choral Traditions Series, this sixteenth century chanson sighs over unhappy love. It is fairly easy and is suitable for high school and up. Fantastic for a renaissance faire!

The saucy, flirty English folk song arranged for a cappella high school or college group would be a good concert choice!

This absolutely enchanting piece from the Choral Tradition Series has words in German and English. It is fairly easy and is suitable for high school, college, or community groups.

From the Choral Tradition Series, in both German and English

Fairly easy madrigal for secondary chorus, from the Charles Hirt Choral Masterworks Series

From Walter S. Collins' familiar choral masterworks, 'Thomas Morley's bright sixteen-measure masterpiece is perhaps the most frequently sung piece from the entire English madrigal period, though it is...

Di Lasso's lively canon, edited and with English text by Charles C. Hirt

Mark Hayes arrangement of the Stephen Foster classic is great for groups from junior high on up.

This paean to music is not too difficult so it is doable in the German, but the English is included.

For adult choir, words by Sara Teasdale. Fairly difficult, but very beautiful. Difficulty Level: Advanced Adult.

With words and music by the composer, Frank Ticheli gives us a very advanced a cappella setting whose dramatic flow moves through the themes of hope, peace, crisis, and finally to reconciliation. If y...

The brief three movements of this work are set to poems of Sara Teasdale. The movements can be performed separately or together. Set for unaccompanied mixed chorus, the composer says that the cycle 'u...

Originally for mixed voices, this beautiful work finds especially poignant meaning when sung by treble voices. Scored here for SSAA chorus with piano, it can be performed quite successfully a cappella...

A great piece for a moderately advanced men's choir in the barbershop style. Fun and lively, melody carried by Tenor II part. The composer invites you to use creativity with this piece.