Kalmus Vocal Library
The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...
The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...
- Voz (media) y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
El ciclo de canciones LES NUITS D'ETE (LAS NOCHES DE VERANO) está compuesto por seis poemas del vecino y amigo del compositor Hector Berlioz (1803-1869), Théophile Gautier. El texto trata del amor en...
El ciclo de canciones LES NUITS D'ETE (LAS NOCHES DE VERANO) está compuesto por seis poemas del vecino y amigo del compositor Hector Berlioz (1803-1869), Théophile Gautier. El texto trata del amor en...
- Voz (media) y orquesta
- Partitura general y partichelas
- Robert Sutherland
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Gustav Mahler (1860-1911) composed Songs to Poems by Rueckert (Songs after Rückert; Rückert-Lieder) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the p...
Gustav Mahler (1860-1911) composed Songs to Poems by Rueckert (Songs after Rückert; Rückert-Lieder) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the p...
- Voz (media) y orquesta
- Partitura general
- Max Puttmann
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Gustav Mahler (1860-1911) composed Songs to Poems by Rueckert (Songs after Rückert; Rückert-Lieder) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the p...
Gustav Mahler (1860-1911) composed Songs to Poems by Rueckert (Songs after Rückert; Rückert-Lieder) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the p...
- Voz (media) y orquesta
- Partitura general y partichelas
- Antonio Vivaldi
- Edwin F. Kalmus
-
disponible en 3-4 semanas
El REQIUEM, Op. 48, de Gabriel Faure (1845-1924), es la más conocida de las grandes obras del compositor. Aparentemente no escrita para la muerte de ninguna persona en particular, escribió sobre la ob...
El REQIUEM, Op. 48, de Gabriel Faure (1845-1924), es la más conocida de las grandes obras del compositor. Aparentemente no escrita para la muerte de ninguna persona en particular, escribió sobre la ob...
- Voz (aguda) y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
El REQIUEM, Op. 48, de Gabriel Faure (1845-1924), es la más conocida de las grandes obras del compositor. Aparentemente no escrita para la muerte de ninguna persona en particular, escribió sobre la ob...
El REQIUEM, Op. 48, de Gabriel Faure (1845-1924), es la más conocida de las grandes obras del compositor. Aparentemente no escrita para la muerte de ninguna persona en particular, escribió sobre la ob...
- Voz (aguda) y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
El villancico italoamericano GESU BAMBINO, a pesar de ser relativamente nuevo en el repertorio navideño (escrito en 1917), se las arregla para encajar perfectamente entre los villancicos más antiguos...
El villancico italoamericano GESU BAMBINO, a pesar de ser relativamente nuevo en el repertorio navideño (escrito en 1917), se las arregla para encajar perfectamente entre los villancicos más antiguos...
- Voz (aguda) y orquesta de cámara
- Partitura general y partichelas
- William Ryden
- Edwin F. Kalmus
-
disponible en 3-4 semanas
This version of O HOLY NIGHT in C was arranged by William Ryden for full orchestra and low voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
This version of O HOLY NIGHT in C was arranged by William Ryden for full orchestra and low voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
- Orquesta
- Partitura general
- William Ryden
- Edwin F. Kalmus
-
disponible en 3-4 semanas
This version of O HOLY NIGHT in C was arranged by William Ryden for full orchestra and low voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
This version of O HOLY NIGHT in C was arranged by William Ryden for full orchestra and low voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
- Orquesta
- Partitura general y partichelas
- William Ryden
- Edwin F. Kalmus
-
disponible en 3-4 semanas
This version of O HOLY NIGHT in E-flat was arranged by William Ryden for full orchestra and high voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
This version of O HOLY NIGHT in E-flat was arranged by William Ryden for full orchestra and high voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
- Orquesta
- Partitura general
- William Ryden
- Edwin F. Kalmus
-
disponible en 3-4 semanas
This version of O HOLY NIGHT in E-flat was arranged by William Ryden for full orchestra and high voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
This version of O HOLY NIGHT in E-flat was arranged by William Ryden for full orchestra and high voice. Instrumentation in set: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp: Str(9-8-7-6-5): Solo Voice.
- Orquesta
- Partitura general y partichelas
- William Ryden
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Escrita en 1795, la obra de Ludwig van Beethoven (1770-1827) Soll ein Schuh nicht drücken! para soprano y conjunto es una adaptación del libreto del singspeil Die schöne Schusterin (1778) del composit...
Escrita en 1795, la obra de Ludwig van Beethoven (1770-1827) Soll ein Schuh nicht drücken! para soprano y conjunto es una adaptación del libreto del singspeil Die schöne Schusterin (1778) del composit...
- Voz (aguda) y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...
- Coro mixto (SATB), solistas y orquesta
- Partichela de clavicémbalo
- Wilhelm Rust Max Seiffert
- Edwin F. Kalmus
-
disponible en 3-4 semanas
En marzo de 1791, Wolfgang Amadeus Mozart (1756-1791) compuso el aria de concierto PER QUESTA BELLA MANO, K. 612, poco antes de empezar a trabajar en LA FLAUTA MÁGICA. Es conocida por su parte de cont...
En marzo de 1791, Wolfgang Amadeus Mozart (1756-1791) compuso el aria de concierto PER QUESTA BELLA MANO, K. 612, poco antes de empezar a trabajar en LA FLAUTA MÁGICA. Es conocida por su parte de cont...
- Voz (bajo), contrabajo y Orquesta
- Partichela de contrabajo
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Franz Schubert (1797-1828) wrote the beautiful melody now associated with the Latin "Ave Maria" text in 1825 as part of a setting of seven songs from Walter Scott's narrative poem THE LADY OF THE LAKE...
Franz Schubert (1797-1828) wrote the beautiful melody now associated with the Latin "Ave Maria" text in 1825 as part of a setting of seven songs from Walter Scott's narrative poem THE LADY OF THE LAKE...
- Voz y orquesta
- Partitura general
- William Ryden
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Franz Schubert (1797-1828) wrote the beautiful melody now associated with the Latin "Ave Maria" text in 1825 as part of a setting of seven songs from Walter Scott's narrative poem "The Lady of the Lak...
Franz Schubert (1797-1828) wrote the beautiful melody now associated with the Latin "Ave Maria" text in 1825 as part of a setting of seven songs from Walter Scott's narrative poem "The Lady of the Lak...
- Voz y orquesta
- Partitura general y partichelas
- William Ryden
- Edwin F. Kalmus
-
disponible en 3-4 semanas