Musik unserer Zeit

Soprano and Small Ensemble

Flöte, Englisch Horn, Klarinette, Horn, Harfe, Viola, Bass

The Anglo-Saxon poem The Dream of the Rood was probably written in the 8th Century and is the earliest dream-vision poem in Old English. A fragment of the poem from the section that describes the cruc...

The work explores something of how we might experience winter. The title is a play on words and the normal meaning of reels as dances infects both the first movement, with its lilting triplet rhythms,...

Schauspieler, Tenor, Altflöte, Altsaxophon, Horn, Violoncello und Klavier

Flöte, Oboe, Klarinette (B), Fagott, Horn, Trompete, Posaune und Kontrabass - Studienpartitur

Flöte, 2 Klarinetten (2. auch Bass-Klarinette), 2 Trompeten (B), Tuba, Schlagzeug (1 Spieler), 2 Violinen, Viola und Kontrabass

'I wrote Idées fixes, subtitled Sonata for 13, in the Spring of 1997. The composition is in one continuous movement and is symmetrical in plan. The title refers to three basic motifs which pervade the...

We met first, poet and I, in a little group of people in Jerusalem reading Greek tragedy, and then later at a demonstration in the Sheik Jarrah neighborhood protesting against the expulsion of Palesti...

This major work from Alexander Goehr reflects upon the diametrically opposing roles towers can have. The composer writes 'Towers embody the idea of climbing upwards, in the spiritual as much as in the...

Männerchor (AATBarBarB) (solistisch).

Flöte (Piccolo), 3 Saxophone (Alt, Tenor, Bariton), 3 Trompeten in C, 2 Posaunen, Bass Posaune, Horn in F, Klavier (oder Syntesizer), Bass Gitarre

3 Saxophone (ATB), Flügelhorn, Posaune, Klavier, Schlagzeug, Violine, E-Gitarre und Bass-Gitarre.

Bariton, Violoncello und Orchester

The model for this piece is a largely unknown minuet for piano, a study by Schubert in strict Baroque harmony and counterpoint, in some sense an example of Schubert's appreciation and reception of Bac...

I: für Saiteninstrumente und Schlagzeug - II: für Streichquartett oder Streichinstrumente - III: für Kammerensemble (und Stimme ad libitum) - IV: für Orchester