Southern Music Brass

Songs: I. Standchen, II. O kühler Wald, III. Minnelied, IV. Sonntag, V. Vergebliches Ständchen

A collection designed to assist the player/student in moving from the tenor trombone to the bass trombone including valve positions and development of pedal notes required for today's bass trombone re...

A volume of calisthenic exercises compiled to assist in the muscle development used in the playing the trombone. Exercises are broken into four sections: (1) Attack and tone placement; (2) Slow Slurs;...

Daily Routines with Technical and Developmental Studies for Trumpet is built around the importance of developing a proper skill set for playing the trumpet through routine practice focused on core fun...

Covers advanced trumpet technique with an emphasis on articulation (single and multiple tonguing), flexibility and finger facility. Revised by Georges Mager, former principal trumpet of the Boston Sym...

These twelve solos for young trumpet players are each written in a different style, offering an opportunity early in the development of a player to focus on elements of musicality. Songs include: I. T...

This fun piece for the advancing bass trombonist offers players the opportunity to stretch into both the low and higher register and is a wonderful selection for recital or contest.

This composition serves as an appropriate early piece of music for the trombonist transitioning to bass trombone, with stepwise movement through the bass trombone range and no note lower than pedal Bb...

Written for Bass Trombonist Douglas Yeo in 1990 and premiered in Boston with the New England Conservatory of Music Wind Ensemble, Nelhybel's Concerto is a demanding work in a dramatic style, covering...

Ballade for Bass or Tenor Trombone is based on an earlier work for clarinet and string orchestra. This arrangement was written for Charles Vernon of the Chicago Symphony in 1996, who later recorded th...

Composed in the summer of 1984, Yorkshire Ballad was premiered at the Kansas Bandmasters Association Convention by Claude T. Smith and the Kansan Intercollegiate Band. Since its publication, it has be...

Sonata No. 1 in G major, BWV 1027 was originally written for viola da gamba and harpsichord. This version for euphonium and piano was arranged by Robert Marsteller, and may also be played on trombone....

This beautiful reverie for euphonium and piano begins with a ephemeral interplay between the soloist and piano that, with the constantly changing meter, suggests no pulse, but creates a constant sense...

This piece for the intermediate to advancing baritone player offers parts in both bass and treble clefs and, with the alternating tempos, is a wonderful contest or recital selection. Also available fo...

Transcribed by one of the great American trombonists of the 20th Century, Robert Marsteller, longtime player with the LA Philharmonic after World War II. This concerto, originally for bassoon, feature...

A staple in the repertoire of high school and advancing college level trumpet players. On major contest and festival lists throughout the world.

This short three movement divertimento showcases contrasting passages featuring fanfare-like flourishes, counterpoint, and tutti sections of homophonic writing, best suited for intermediate players.

From Mattheson's Op. 1, these lucid arrangements will challenge the beginning player with out being too difficult to play. The three dances are: I. Bouree, II. Gavotte, III. Menuet