Walton Choral": composiciones originales para coros exigentes

I. We Are Marching in the Light of God (Siyahamba) II. Halleluya! We Sing Your Praises (Pelo tsa rona)

Sopran/Tenor-Soli

This high-energy, gospel-inflected setting of a psalm text works equally well for school concert or sacred functions. Familiar harmonies, a straightforward piano part, and a showcase solo part make th...

El texto explora los sueños de volar de Leonardo da Vinci. La mezcla de madrigal italiano y estilo contemporáneo apoya el texto de C. A. Silvestri.

La poderosa fusión de las palabras de Octavio Paz y la imaginería musical de Eric Whitacre ha hecho de esta obra una de las favoritas de los buenos coros de instituto y más allá en Estados Unidos y en...

Esta impresionante composición utiliza la idea de la palabra igbo "Amara", que significa "gracia". La idea de esta obra es respirar juntos, ser conscientes de los demás y de cómo encajamos en este mun...

Available: SATB, Instrumental Parts.

This rock cantata combines precise notation in tempi, chords and vocal lines with the ad lib feeling of rock music, leaving the improvisation to the instrumentalists. A great choice for the high schoo...

The Walton edition of this Vivaldi masterwork has been an all-time favorite with high school choirs and beyond since its publication in 1961. Edited by renowned editor Mason Martens, it offers extensi...

This is the first complete survey of Sweden's rich choral music during half a century. Equally suited to music libraries and music institutions and as individual studies for choirs with an interest in...

A wonderful selection, this octavo offers two settings of the same melody: SSA voices for processional use, with three soloists; and the more developed SSAA arrangement for concert purposes, with sopr...

The 2013 Raymond W. Brock Memorial Commission featuring timely and poignant text by Emily Dickinson. The poems express the extreme complexity of Beauty, even in the most simple of occurrances. A clear...

Similar to the superstitious Friday the Thirteenth, Tuesday the Thirteenth is considered to be the day of bad luck in Spanish-speaking countries, which is clearly illustrated in this proverb (Don't ge...

This work by the Basque composer represents the beautiful tender musical feeling of Busto's sacred works. Available: SSAA a cappella.

The text exists merely to give form to the music and is meaningless, says Finnish composer Mõntyjõrvi, whose El Hambo in 1999 was an instant success with American high school choirs. In Pseudo-Yoik he...

The text by William Shakespeare about the pleasures and signs of springtime makes this the perfect selection for the final school concert. Available: SSA a cappella.

The second selection from a set of Five Latvian Folk Songs, this song tells of a young woman picking the whitest of garden roses for a wreath. Its rhythmic 2/4 is playful, with off-the-beat accents st...

Oh, Follow, Follow On (France) & Spring, Now Spring (Germany). For SSA choir, these pieces add lightness to any women's choir repertoire - one of new love, the other of Spring's new birth. In French a...

This is a lovely setting of an original poem celebrating motherhood, which is also appropriate for Christmas. It would mesh well with a concert or service of carols.

Commissioned by the Alliance for Arts and Understanding for the 2004 Alliance World Festival, with uplifting text by Minnie Louise Haskins - Give me a light that I may tread safely into the unknown -...

One of the most recognized anthems from the English Renaissance, in a new adaptation specifically geared to the limits of younger voices and middle school choirs. Intimate and expressive, this would w...

This piece features Haitian rhythms and challenging harmonies. The treble setting uses a text about harmonizing life's activities - dance being one. A great festival or concert piece for developing ch...

Let your women's choir loose in this swinging spiritual! It is easy and fun to sing, building to an impressive ending. A good closer or encore in your concert program! Duration: ca. 1:45.

El arreglo SSAA de Stacey V. Gibbs de I Know I Been Changed resalta la convicción del espiritual tradicional a través de ricas texturas corales y un sólido impulso rítmico. Similar al estilo de Now Le...