Fernand Andrieu
Manuel d'Harmonie
Fernand Andrieu
Manuel d'Harmonie
- Formación Teoría general de la música
- Compositor Fernand Andrieu
- Edición Libro
- Editorial Gerard Billaudot
- Nº de pedido BILL-AF0063
disponible en 4-8 días laborables
IVA incluido.,
Más gastos de envío
No disponible en todos los países. Leer más
Descripción de la:
Harmonielehre / Improvisation - Musikpädagogische Lehrmittel
How to analyse 20th-century music? In this second volume, Anthony Girard studies musical language after Debussy and brings out diverse writing techniques, offering a concise analysis, always starting with an excerpt from a score. Moreover, he has paid particular attention to the quality of the graphic presentation in order to facilitate the reading of musical examples. After a well-developed chapter on harmony (Ravel, Schönberg, Bartók, Stravinsky, Milhaud, Webern, Messiaen...), the author explores - still on a reduced scale but increasing the perspectives - the different facets of the language, melody, rhythm, research on timbre and some aspects of form, whilst proposing accessible tools for certain kinds of music reputed to be 'difficult', whether it be Prokofiev, Varèse, Berg, Frank Martin or Britten or, for the latter half of the 20th century, Berio, Ohana, Ligeti, Reich, Murail or Lutoslawski. Text in French.
How to analyse 20th-century music? In this second volume, Anthony Girard studies musical language after Debussy and brings out diverse writing techniques, offering a concise analysis, always starting with an excerpt from a score. Moreover, he has paid particular attention to the quality of the graphic presentation in order to facilitate the reading of musical examples. After a well-developed chapter on harmony (Ravel, Schönberg, Bartók, Stravinsky, Milhaud, Webern, Messiaen...), the author explores - still on a reduced scale but increasing the perspectives - the different facets of the language, melody, rhythm, research on timbre and some aspects of form, whilst proposing accessible tools for certain kinds of music reputed to be 'difficult', whether it be Prokofiev, Varèse, Berg, Frank Martin or Britten or, for the latter half of the 20th century, Berio, Ohana, Ligeti, Reich, Murail or Lutoslawski. Text in French.