Bernhard Päuler

Edited from the First Edition.

Edited from the first edition.

The movements, which in rococo times provided the 'most pleasing melodic and rhythmic order for festive occasions', are a playful pleasure.

The movements reflect the gallantry in melody and rhythm, which always made a state in concerts of the wealthy bourgoisie of the rococo. Easy to perform.

This op.19, praised by C.M.v. Weber for its 'heavenly tasteful performance', is a masterpiece of compositional and technical balance.

The work, in the form of a suite of old dances, is something of the finest, a cabinet piece par excellence in expression, melodicism and instrumental finesse: Obligatory piece for this duo instrumenta...

Pleyel's only septet for two concertante horns and strings, offers a first-rate chamber music contrast program in serenade style between symphonic ostentation and virtuoso passages.

First Edition

Probably one of the most melodically beautiful and inventive quintets of the instrumentation cultivated by Andreas Romberg was given to us by the creator of the canon 'Froh zu sein bedarf es wenig'.

The lilting and sound-loving opus masterfully explores the entire range of the interplay between winds and strings. Put it on the podium!

Edited from the first edition.

For the almost last sonata of all Telemann's trios presented by Amadeus, this work also stands for Quantz's words accordingly: "Excellently I want to suggest Telemann's finished trios, as far as one c...