Amadeus

The 25 pieces are a very welcome addition to the sparse literature for the flute 'senza' basso'.

First complete edition with full commentary

First complete edition with full commentary

These duets prove to be attractive, lively and of melodic appeal, and are ideally suited as an introduction to chamber music.

Edited and translated into German by Th. Drescher. This tutor is based on the practice of continuo playing on lute, theorbo and baroque guitar as it is taught at the Schola Cantorum Basiliensis, as we...

The sonatas, committed to the Venetian style, are imaginative pieces. Wassenaer draws on the compositional language of the time with triadic breaks, deceptive endings and fifth-fall sequences.

The sonata works of Paisible, who 'had no equal' as the most brilliant recorder player, testify to the perfect adaptation to the expressive possibilities of the instruments.

After the original text with a l l the ornaments fixed by the composer in the 1712 print.

La Rose - Les Pensées - L'Iris - L'Oeillet - Les Anemones - Les Marguerites - La Julienne - Le Jasmin - Les Oreilles d'Ours - Les Prime - Veres - Le Muguet.

L'Amarante - La Tulipe - La Jacinte - La Violette - Les Renoncules - Le Narcisse - La Tubéreuse - La Jonquille - Le Chévre-Feuille - La Grenade - Le Tricolor - Le Volubilis.

The idiomatic peculiarities of the recorder are taken into account in all 6 sonatas and their possibilities regarding the range, their tonal as well as technical-virtuosic bandwidth are fully exhauste...