Bernhard Päuler

Festive finale of one of Rheinberger's most popular works with very grateful violin part.

Sonata I = WoO 5; Sonata II = WoO 9; Sonata III = WoO 7.

Edited after the first printing.

Revised version by the Gustav MahlerGesellschaft, Vienna

This beautiful-sounding concerto is distinguished by the fact that it grants the bassoon equal concertante participation, so that an additional continuo-bass part can be dispensed with.

This quintet is also in the tradition of the concerto grosso. They are 'condensed' noble chamber pieces based on a soloist group instead of a ripieno sound body over a continuous continuo bass.

The instrumentation variations of this attractive concerto are many. The title 'La Pastorella' suggests a placid flow of Vivaldi's inexhaustible melodic thought. Light.

Edited after the first printing.

Praised throughout his life as a master of polyphonic compositional technique, the chamber music of Friedrich Kiel, who was held in high esteem by Brahms, features a romantic, powerful linear formal c...