Carl Philipp Emanuel Bach

For whom did Carl Philipp Emanuel Bach write his solo sonata? Time and again, the Prussian King Frederick II has been brought into play as the sonata's addressee. Bach, however, would not have made mu...

für Flöte allein (Scheck-Ruf)

Carl Philipp Emanuel Bach, der Kapellmeister am Hofe Friedrichs des Großen war, schuf mit dieser Sonate ein prächtiges Solowerk für Flöte, wirkungsvoll und inhaltsreich.

Zu den zahlreichen Kammermusikwerken, die CPE Bach am Preußischen Hof als Begleiter Friedrich des Großen komponierte, zählt auch dieses 1749 in Potsdam entstandene Trio.

Soli SSTB, Coro SATB, 2 Fl, 2 Ob, Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

Soli SSTB, Coro SATB, 2 Fl, 2 Ob, Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

Das Highlight dieses Trios, der herrliche Adagio-Satz, weist inhaltlich in Beethovens Nähe. Die Mitwirkung eines Cellos gibt dem Werk die volle klangliche Abrundung.

Composed in Berlin in 1747, Carl Philipp Emanuel Bach's Trio Sonata In A Minor Wq.148 is a superb work for chamber group. For Flute, Violin (or Oboe), and Continuo - Piano (or Cembalo) with Cello (or...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

nach Johann Sebastian Bach. Erstausgabe - after Johann Sebastian Bach. First Edition Violine 1 - Einzelstimme

nach Johann Sebastian Bach. Erstausgabe - after Johann Sebastian Bach. First Edition Violine 2 - Einzelstimme

nach Johann Sebastian Bach. Erstausgabe - after Johann Sebastian Bach. First Edition Viola - Einzelstimme

nach Johann Sebastian Bach. Erstausgabe - after Johann Sebastian Bach. First Edition Violoncello/ Kb - Einzelstimme

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

Ausgabe für Violoncello und Klavier vom Herausgeber