Cheryl Frances-Hoad

Dance Suite de Cheryl Frances-Hoad para piano solo es una pieza de 11 minutos en cinco movimientos, encargada por el Festival de Presteigne que se estrenará en agosto de 2024.

Esta Suite para violonchelo solo se inspira en el nuevo y maravilloso libro de Kate Kennedy, Cello: A Journey Through Silence to Sound. Cada movimiento cuenta la historia de un violonchelo diferente:...

Pieces of Light was commissioned by the Flautadors for their 20 th Anniversary. When the group approached me about writing a piece, I had just finished reading Pieces of Light; The New Science of Memo...

Asphodel is an aria based on Margaret Atwood's The Penelopiad to a libretto by Jeanne Pansard-Besson.

Commissioned by Simon Halsey CBE & Jack Apperley at the University of Birmingham for the singers of University Upper Voices. First performed by University Upper Voices directed by Jack Apperley on 11t...

Basada en un fragmento de 'Larchipel de la Manche (Las Islas del Canal)' de Victor Hugo, esta obra de 4 minutos para SATB y órgano fue encargada por los miembros de Huanui Music Society Guernsey para...

For SATB and organ, commissioned by The Honourable Society of Lincoln's Inn. This four-and-a-half-minute anthem sets text by John Donne. XXVIII. Son of God, hear us, and since Thou By taking our blood...

For TrATB choir and organ. Commissioned for Worcester Cathedral Choir by The Elmley Foundation in memory of Samuel Driver White. Words by P.H.B. Lyon.

Commissioned by Winchester College for the 2020 Choir Schools' Association Conference. First performed by Winchester College Chapel Choir, May 2020 with Howard Ionascu, conductor and Benjamin Cunningh...

For this piece Cheryl Frances-Hoad worked with the Poet Laureate Simon Armitage. We'll Sing was commissioned by the Huddersfield Choral Society for those lost to the COVID-19 pandemic.

In this work for a mixed choir of any voices and instruments Cheryl Frances-Hoad sets a text by Molly Naylor. Lasting ten minutes this pieces was premiered by Showstoppers: Choir of a Thousand, conduc...

For mixed choir and saxophone. A setting of Nevill Coghill’s modern English version of Geoffrey Chaucer’s text.

“Cheryl’s carol is a masterpiece in understatement, hauntingly beautiful and so carefully written for the current generation of King’s College Choir.” Daniel Hyde, Director of Music, King’s College, C...

Para soprano solista, coro SATB y orquesta de cuerda. Escrita en 2024. Duración: unos 19 minutos. With What Sudden Joy fue un encargo del Festival de Música de Southwell para celebrar su décimo aniver...

Esta breve obra para quinteto de viento se compuso para celebrar los centenarios de Boulez y Berio. El juguetón título hace referencia a famosos manjares que se producen en los lugares de nacimiento d...

This work for soprano and string quartet was premiered at the Oxford University Museum of Natural History on the 18th November 2019 by Carola Darwin and the Gildas Quartet. Commissioned by Carola Darw...

Commissioned by Fenella Humphreys with funding from The Marchus Trust First performed by Fenella Humphreys (violin), Ben Griffiths (double bass), Murray Grainger (accordion) and George Barton (percuss...

For mezzo-soprano voice and bass clarinet. How to Win an Election was commissioned by Ian Mitchell and premiered by Alison Wells and Ian Mitchell at St. Mary Magdalen Church, Oxford on 22 January 2018...

Esta breve canción para mezzosoprano, violonchelo y piano se inspira en las prácticas médicas medievales. El texto se encuentra en el Lacnunga, una colección de textos médicos y oraciones anglosajonas...

Two short pieces suitable for Grade 8 standard players.

A five-minute work for solo trombone, originally commissioned by the London Sinfonietta for their World Premiere Wednesdays series and premiered by Bryon Fulcher at Kings place on 27th September 2017.

Erbsenrondo o "Rondó de los guisantes" es un cuarteto de cuerda de 5 minutos que se escribió para el 25 aniversario del Instituto Gregor Mendel de Viena, celebrando los descubrimientos de Mendel y la...

Sorores ("Hermanas" en latín) es una obra de 8 minutos para vibráfono y cuerdas. Consta de cuatro secciones conectadas, con una breve cadencia para vibráfono en la parte final.

A short piece for solo trumpet written for Alan Thomas, commissioned to be performed outdoors during the world's recovery from COVID-19.

This five minute piece for trumpet and piano was commissioned by the trumpeter Brant Tilds and premiered by Brant and Cheryl Frances-Hoad at the Bear Club, Luton, 20th June 2017.