Cheryl Frances-Hoad

Commissioned and first performed by Sami Junnonen and Male Choir Valkia.

A three-and-a-half-minute work for upper voices commissioned by Peterborough Voices with funding from Arts Council England. Frances-Hoad sets a text by Gregory Warren Wilson, who says of his poem: The...

This six-minute setting of the Evening Canticles by Frances-Hoad is for mixed chorus a cappella. It was written by the composer with support from the 2021 Visiting Research Fellowship in the Creative...

Written for the Choir of St John's College, Cambridge, this piece for SATB choir was commissioned by the Master and Fellows of the college. Frances-Hoad sets a text by the French teacher and writer, C...

Commissioned and first performed by Sami Junnonen and Male Choir Valkia.

For mixed choir and saxophone. A setting of Nevill Coghill’s modern English version of Geoffrey Chaucer’s text.

Soprano Saxophone. The Wrath Of Troilus Soprano Saxophone Part

For soprano and piano, commissioned by Carolyn Sampson.

Commissioned by the Oxford Lieder Festival, for baritone and piano, this song sets text by Charles Baudelaire in an English translation by Eleanor Brown. Premiered by Ashley Riches, baritone and Micha...

A two and a half minute piece for voices and piano, commissioned and first performed by the London Symphony Orchestra Discovery Choir conducted by Neil Ferris..One Earth sets a text by Di Sherlock for...

Scenes from the Wild is a Song Cycle for Tenor and Chamber Orchestra, based on the book by Dara McAnulty: Diary of a Young Naturalist. The diary, March 2018-19, begins with an echo of Dara's early mem...

This setting of the Magnificat and Nunc dimittis was written by the composer with support from the 2021 Visiting Research Fellowship in the Creative Arts at Merton College, Oxford. Duration: 5 ½ minut...

A three-minute anthem commissioned for Gonville and Caius Chapel Choir by The Peter Tranchell Foundation to mark the centenary of his birth (in 1922).

Your Servant, Elizabeth' para coro y orquesta fue un encargo de BBC Radio 3 para la celebración del Jubileo de Platino de 2022 en los Proms. La obra, de 5 minutos de duración, también rinde homenaje a...

For piano and Commodore 64, Game On, Cheryl Frances-Hoad writes, 'was inspired variously by Game Theory, Commodore 64 gaming music, the stock market and financial crash, and the constant presence of t...

Written for the Choir of St John's College, Cambridge, this piece for SATB chorus and harp was commissioned by the Master and Fellows of the college. Frances-Hoad sets a text by the French teacher and...

Written for the Choir of St John's College, Cambridge, this piece for SATB choir and harp was commissioned by the Master and Fellows of the college. Frances-Hoad sets a text by the French teacher and...

This work for soprano and string quartet was premiered at the Oxford University Museum of Natural History on the 18th November 2019 by Carola Darwin and the Gildas Quartet. Commissioned by Carola Darw...

Scenes from Autistic Bedtimes (2012-13) is a ten minute work scored for treble, soprano, vibraphone, cello and piano, setting text by Stuart Murray

Thinking I Hear Thee Call by Cheryl Frances-Hoad is inspired by the life of Florence Attridge, an Essex woman who, whilst working at the Marconi factory in Chelmsford during WWII, helped to make secre...

Vocal Score. The Cage without Birds, for mixed children's choir, saxophone and organ, written for Sam Corkin's Palimpsest project, takes Schumann's Wehmut as its starting point. Schumann's song, from...

Saxophone Part. The Cage without Birds, for mixed children's choir, saxophone and organ, written for Sam Corkin's Palimpsest project, takes Schumann's Wehmut as its starting point. Schumann's song, fr...

Vocalise was written for The Purcell Composition Prize 1994 and first performed by Sheherazade - Verona Chard (soprano), Denise Dance (flute) and Fiona Clifton-Welker (harp) at the Purcell Room, Londo...