Christian Rudolf Riedel

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, 'Mahler - The Symphonies.' The many sources first consulted here for an edition include, among oth...

Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. 'The Heavenly Life,' a humoresque composed in 1892 for soprano and piano, which he already...

The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the ve...

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, 'Mahler - The Symphonies.' The many sources first consulted here for an edition include, among oth...

Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. 'The Heavenly Life,' a humoresque composed in 1892 for soprano and piano, which he already...

The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the ve...

Originally, the present work - with Latin text and the title 'Non nobis, Domine' - was a gift composed by Felix Mendelssohn Bartholdy for his sister Fanny's 25th birthday in November 1830. Five years...

For the first time clearly the 'version last hand

Immerse yourself in Gustav Mahler's monumental symphonic debut: the Symphony No. 1 in D major in its authoritative final version of 1910 unfolds a gripping musical panorama, ranging from tender pastor...

Immerse yourself in the enchanting sound world of a lyrical masterpiece: The symphonic movement "Blumine" – originally conceived as the second movement of Gustav Mahler's Symphony No. 1 – captivates w...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...

Instrumentation: winds (2/2/2 - 4/1/0/0), timpani, harp + strings

This piece had grown particularly dear to my heart, even if it is hardly something for the so-called general public; but I was fond of it... – thus Felix Mendelssohn Bartholdy personally described his...

Mozart komponierte das 'Ave verum corpus' für Chor, Streicher und Orgel knapp ein halbes Jahr vor seinem Tod. Hector Berlioz pries das Werk als Vorbild für die richtige Verwendung der menschlichen Sti...

Wolfgang Amadeus Mozart’s moving motet *Ave verum Corpus K. 618* is undeniably one of the most sublime and beloved masterpieces of sacred choral music. Composed just months before his death, the work...

Wolfgang Amadeus Mozart's world-famous motet "Ave verum Corpus" K. 618 is among the most touching and intimate creations in the history of sacred music. With sublime harmonic simplicity and timeless b...

Wolfgang Amadeus Mozart’s world-famous motet “Ave verum Corpus” (K. 618) continues to move audiences with its timeless grandeur, profound simplicity, and deep emotional resonance. Completed just month...

Wolfgang Amadeus Mozart's touching late masterpiece "Ave verum Corpus" K. 618 is undoubtedly one of the most moving and sublime creations in the history of sacred choral music. With incomparable intim...

Wolfgang Amadeus Mozart’s world-renowned motet "Ave verum Corpus" K. 618 stands as one of the most moving and sublime creations in the history of sacred music. Scored for mixed choir (SATB), string en...

I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.

I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.

I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.