Christian Rudolf Riedel

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

For the first time clearly the 'version last hand

For the first time clearly the 'version last hand

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, 'Mahler - The Symphonies.' The many sources first consulted here for an edition include, among oth...

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, 'Mahler - The Symphonies.' The many sources first consulted here for an edition include, among oth...

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, 'Mahler - The Symphonies.' The many sources first consulted here for an edition include, among oth...

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, 'Mahler - The Symphonies.' The many sources first consulted here for an edition include, among oth...

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, 'Mahler - The Symphonies.' The many sources first consulted here for an edition include, among oth...

Of all his symphonies, Mahler paid particular attention to the Fourth, his favorite and troubled child. 'Das himmlische Leben', a humoresque for soprano and piano composed in 1892, which he had alread...

Of all his symphonies, Mahler paid particular attention to the Fourth, his favorite and troubled child. 'Das himmlische Leben', a humoresque for soprano and piano composed in 1892, which he had alread...

Of all his symphonies, Mahler paid particular attention to the Fourth, his favorite and troubled child. 'Das himmlische Leben', a humoresque for soprano and piano composed in 1892, which he had alread...

Of all his symphonies, Mahler paid particular attention to the Fourth, his favorite and troubled child. 'Das himmlische Leben', a humoresque for soprano and piano composed in 1892, which he had alread...

Of all his symphonies, Mahler paid particular attention to the Fourth, his favorite and troubled child. 'Das himmlische Leben', a humoresque for soprano and piano composed in 1892, which he had alread...

«De la precisión del material vocal depende el rumbo que tomará mi obra en los próximos años». Esta exigencia que Mahler le hizo a C. F. Kahnt, el primer editor de la Sexta Sinfonía, se la impuso tamb...

«De la precisión del material vocal depende el rumbo que tomará mi obra en los próximos años». Esta exigencia que Mahler le hizo a C. F. Kahnt, el primer editor de la Sexta Sinfonía, se la impuso tamb...

«De la precisión del material vocal depende el rumbo que tomará mi obra en los próximos años». Esta exigencia que Mahler le hizo a C. F. Kahnt, el primer editor de la Sexta sinfonía, se la impuso tamb...

«De la precisión del material vocal depende el rumbo que tomará mi obra en los próximos años». Esta exigencia que Mahler le hizo a C. F. Kahnt, el primer editor de la Sexta Sinfonía, se la impuso tamb...

«De la precisión del material vocal depende el rumbo que tomará mi obra en los próximos años». Esta exigencia que Mahler le hizo a C. F. Kahnt, el primer editor de la Sexta sinfonía, se la impuso tamb...

The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the ve...

The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the ve...