Harry Joelson

Edited after the first printing.

The 'newer' masters, into whose works he wants to introduce with his studies, are first and foremost Schumann, Brahms and Wagner. The echoes are audible and it is a pleasure to trace the sources of in...

The present edition is the first practical edition of his trio sonatas op. 8, printed in 1704, in which the bass part is played, with slight variations, by violoncello or violone as well as by harpsic...

In Vivaldi's only two-trumpet concerto, which radiates festive splendor, he shows all the tricks of the trade in order not to let the lack of notes (only eleven were available at the time) become noti...

In Vivaldi's only two-trumpet concerto, which radiates festive splendor, he shows all the tricks to make the lack of tones (only eleven were available at the time) imperceptible: imitation, thirds sta...

The present edition is the first practical edition of his trio sonatas Op. 8, printed in 1704, in which the bass part is played with slight variations both by violoncello or violone and by harpsichord...

From the series: Aurea Amadeus, No. 335.

The sonatas bubble with musicality: they are witty and easy to perform. They were admired 'throughout the kingdom' and placed on an equal footing with those of Corelli. The pieces were 'even played as...

In their passionate character, the pieces are reminiscent of Schumann's Novelletten, while the dreamy vocal parts appear wrapped in an arabesque robe of Chopinian delicacy. Everything has something qu...