Jean-Philippe Rameau Partituras

Amongst Rameau’s stage works which have come down to us in two main versions, such as “Dardanus“ (1739, 1744), “Platée“ (1745, 1749) and “Zoroastre“ (1749, 1756), none fell into oblivion for as long a...

De las dos principales versiones de las obras escénicas de Rameau, como "Dardanus" (1739, 1744), "Platée" (1745, 1749) y "Zoroastre" (1749, 1756), ninguna cayó en el olvido durante tanto tiempo como "...

Richer than ever - Rameau's 'Zoroastre' in the version of 1756 Rameau's revised version of his opera 'Zoroastre', which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académi...

Más rica que nunca - "Zoroastre" de Rameau en la versión de 1756 La versión revisada de Rameau de su ópera "Zoroastre", que se representó y escuchó en la Académie royale de musique entre el 20 de ener...

In Rameau's operatic oeuvre, "Io" is certainly the work shrouded in the most mystery: the acte de ballet has survived only in the form of a copy of the score and parts which was made by a collector fr...

En la obra operística de Rameau, "Io" es sin duda la obra rodeada de más misterio: el acto de ballet sólo ha sobrevivido en forma de una copia de la partitura y las partes, que un coleccionista de la...

Rameau's ballet-opera "Zéphire" is based on the legend of Zephire and Flora, as immortalized by Ovid in the fifth book of his "Fasti". Zéphire, the god of the west wind, loves Chloris, a forest nymph...

La ópera-ballet "Zéphire" de Rameau se basa en la leyenda de Zéphire y Flora, inmortalizada por Ovidio en el quinto libro de sus "Fasti". Zéphire, dios del viento del oeste, ama a Cloris, ninfa del bo...

Cuenta la historia de amor entre Fatime, acusada de asesinar a su padre, y el hijo del rey, Ramire, que está enamorado de ella y la libera del cautiverio de su padre, Alfonso, rey de Castilla. La óper...

> Detailed historical Introductions (Fr/Eng) > Well-presented idiomatic piano reduction based on Rameau's 'Opera Omnia' > Each number is preceded by a brief account of the dramatic situation and an En...

Volume 3 for soprano contains the first half of the large-scale arias and ariettas that Rameau composed for lyric soprano (the 18th-century equivalent of today's lyric coloratura soprano) in his prolo...

This volume contains half of the great monologues, arias and ariettas which Rameau composed for 'haute-contre' and which are sung by high tenors today. Arias for haute-contre (tenor) from the operas '...

> Detailed historical Introductions (Fr/Eng) > Well-presented idiomatic piano reduction based on Rameau's 'Opera Omnia' > Each number is preceded by a brief account of the dramatic situation and an En...

Vierstimmiger Männerchor

Transponierte Fassung, Originalfassung: Carus 21.009/00

Los tres grandes motetes Quam dilecta, In convertendo y Deus noster refugium, que Jean-Philippe Rameau compuso entre 1713 y 1715, han permanecido relativamente desconocidos hasta nuestros días. Sin em...

Los tres grandes motetes Quam dilecta, In convertendo y Deus noster refugium, que Jean-Philippe Rameau compuso entre 1713 y 1715, siguen siendo hoy relativamente desconocidos. Esto se debe a que no fu...

Die drei großen Motetten Quam dilecta, In convertendo und Deus noster refugium, die Jean-Philippe Rameau um 1713 bis 1715 komponierte, sind bis heute relativ unbekannt geblieben. Und dennoch stellen d...

Die drei großen Motetten Quam dilecta, In convertendo und Deus noster refugium, die Jean-Philippe Rameau um 1713 bis 1715 komponierte, sind bis heute relativ unbekannt geblieben. Und dennoch stellen d...

Die drei großen Motetten Quam dilecta, In convertendo und Deus noster refugium, die Jean-Philippe Rameau um 1713 bis 1715 komponierte, sind bis heute relativ unbekannt geblieben. Und dennoch stellen d...