Paul Müller-Zürich

The combination of the basset horn, which belongs to the Ternor family of wind instruments, with a 'low' string duo promises an inimitable sonorous sound experience still largely indebted to the tonal...

The 1st movement bears unmistakable neo-baroque traits. In the tarantella-like 2nd movement, one is so carried away by the 'contrapuntal' momentum that one hardly notices the inversions, canons and te...

Müller's 'Little Symphony', unproblematic in structure but not undemanding in character, captivates with lively outer movements framing a songlike, melancholy slow movement.

The double concerto captivates with a fine, lyrical balance between the solo parts and the string ensemble assisted by the harpsichord. Even for amateur orchestras musically-technically achievable!

The Concerto is one of Müller's key works, composed on behalf of the 'Friends of the Zurich Chamber Orchestra and premiered on the occasion of the Swiss Tonkünstlerfest 1968.

The double concerto captivates with a fine, lyrical balance between the solo parts and the string ensemble assisted by the harpsichord. Even for amateur orchestras musically-technically achievable!