Peter Jost

The score and orchestral parts are available for purchase for the first time in a new edition of La Mer.

The score and orchestral parts are available for purchase for the first time in a new edition of La Mer.

The score and orchestral parts are available for purchase for the first time in a new edition of La Mer.

The score and orchestral parts are available for purchase for the first time in a new edition of La Mer.

Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...

Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...

Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...

Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...

Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

In cooperation with the G. Henle Verlag 'The' Piano Concerto in Urtext

Neben dem Widmungsträger Pablo de Sarasate, nahmen viele namhafte Geiger wie Eugène Ysaye und später Jacques Thibaud das Konzertstück, das Camille Saint-Saëns 1863 komponiert hatte, in ihr Repertoire...

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugène Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saëns’ concert piece composed in 1...

score and study score with the text by Loriot

With Cesar Franck's only symphony, a central repertoire work of the late Romantic period finds its way into the new orchestral editions that Breitkopf & Härtel has placed under the heading of 'source...

The score and orchestral parts are available for purchase for the first time in a new edition of La Mer.

That Schumann truly dug his heels into symphonic creation becomes clear at the latest when we look not only at his four well-known symphonies, but also at the works between the genres, such as the Ove...

The Richard Wagner Complete Edition presents the composer's entire output for the first time in a reliable form. The conductor Michael Balling, in the early years of the 20th century, attempted to mak...

El modelo inmediato de esta primera obra importante de música de cámara de Ravel fue el Cuarteto de cuerda de Debussy de 1892/93. Sin embargo, la composición, escrita en 1902/03, ya contiene rasgos in...

When Dvořák suddenly became internationally famous in 1878 with his Slavonic Dances, he received, among other things, a request for a new string quartet from Jean Becker, the first violinist of the re...

In autumn 1895, after returning from New York once and for all, Dvorák took up his former position as teacher at the Prague Conservatory. This clearly had an inspiring impact on him because in the spa...

> First Urtext edition since 1955 > Dvorák's most famous string quartet After a twelve-year interval, Dvorák once again turned his attention to the string quartet in summer 1893. He had been musical d...

Although Dvorak's stay in America (1892-95) was very successful, the composer suffered a good deal from homesickness. He had begun the string quartet in A flat major in New York, but continued with it...

Composed in autumn of 1881, Opus 61 is the last of Dvořák's 'middle' quartets by chronology for which Beethoven and Schubert served as the most significant models. Beethoven's influence, from thematic...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...