Peter Jost

The Richard Wagner Complete Edition presents the composer's entire output for the first time in a reliable form. The conductor Michael Balling, in the early years of the 20th century, attempted to mak...

El modelo inmediato de esta primera obra importante de música de cámara de Ravel fue el Cuarteto de cuerda de Debussy de 1892/93. Sin embargo, la composición, escrita en 1902/03, ya contiene rasgos in...

When Dvořák suddenly became internationally famous in 1878 with his Slavonic Dances, he received, among other things, a request for a new string quartet from Jean Becker, the first violinist of the re...

In autumn 1895, after returning from New York once and for all, Dvorák took up his former position as teacher at the Prague Conservatory. This clearly had an inspiring impact on him because in the spa...

> First Urtext edition since 1955 > Dvorák's most famous string quartet After a twelve-year interval, Dvorák once again turned his attention to the string quartet in summer 1893. He had been musical d...

Although Dvorak's stay in America (1892-95) was very successful, the composer suffered a good deal from homesickness. He had begun the string quartet in A flat major in New York, but continued with it...

Composed in autumn of 1881, Opus 61 is the last of Dvořák's 'middle' quartets by chronology for which Beethoven and Schubert served as the most significant models. Beethoven's influence, from thematic...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

Debussy escribió estas dos breves danzas por encargo de la casa Pleyel, que deseaba utilizar nombres célebres para comercializar su nueva arpa cromática. Las danzas también pueden tocarse sin problema...

Debussy escribió estas dos breves danzas por encargo de la casa Pleyel, que deseaba utilizar nombres célebres para comercializar su nueva arpa cromática. Las danzas también pueden tocarse sin problema...

Debussy escribió estas dos breves danzas por encargo de la casa Pleyel, que deseaba utilizar nombres célebres para comercializar su nueva arpa cromática. Las danzas también pueden tocarse sin problema...

Debussy escribió estas dos breves danzas por encargo de la casa Pleyel, que deseaba utilizar nombres célebres para comercializar su nueva arpa cromática. Las danzas también pueden tocarse sin problema...

Debussy escribió estas dos breves danzas por encargo de la casa Pleyel, que deseaba utilizar nombres célebres para comercializar su nueva arpa cromática. Las danzas también pueden tocarse sin problema...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...

Originally planned only as a little duo for violin and piano, the composition grew into a sonata in autumn 1885. The first performances were more than disillusioning for Saint-Saëns, as the violinists...

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff